Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
" "The therapist could not budge the patient from her syllogism. She replayed it throughout the hour, 'stuck in a single organization of events.' Seeing it from the other side (from behind the wall, as an observer), I understood the obsessive quality of such an attachment, something comforting in holding on to a smug, all-seeing knowledge, even a sad or hurtful one; something that let the patient control the precise amount of pain she administered to herself.
Ellen Ullman is an American computer programmer and author. She has written novels as well as articles for various publications, including Harper's, Wired, the New York Times and Salon. Her essays and novels analyze the human side of the world of computer programming.
Biography information from Wikiquote
Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
It is best to be the CEO; it is satisfactory to be an early employee, maybe the fifth or sixth or perhaps the tenth. Alternately, one may become an engineer devising precious algorithms in the cloisters of Google and its like. Otherwise one becomes a mere employee. A coder of websites at Facebook is no one in particular. A manager at Microsoft is no one. A person (think woman) working in customer relations is a particular type of no one,
The machine seemed to understand time and space, but it didn’t, not as we do. We are analog, fluid, swimming in a flowing sea of events, where one moment contains the next, is the next, since the notion of “moment” itself is the illusion. The machine — it — is digital, and digital is the decision to forget the idea of the infinitely moving wave, and just take snapshots, convincing yourself that if you take enough pictures, it won’t matter that you’ve left out the flowing, continuous aspect of things. You take the mimic for the thing mimicked and say, Good enough. But now I knew that between one pixel and the next — no matter how densely together you packed them — the world still existed, down to the finest grain of the stuff of the universe. And no matter how frequently that mouse located itself, sample after sample, snapshot after snapshot — here, now here, now here — something was always happening between the here’s. The mouse was still moving — was somewhere, but where? It couldn’t say. Time, invisible, was slipping through its digital now’s.