They’re drunk now,” Guy said, “and optimistic, but they will soon be squabbling over household expenses and hoping they’ll find love later in the Mea… - Edmund White

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They’re drunk now,” Guy said, “and optimistic, but they will soon be squabbling over household expenses and hoping they’ll find love later in the Meat Rack. They’ll be arguing. ‘Why did you buy that expensive leg of lamb?’ And they become especially cross at the beginning of September when they realise the season is over and they’ve danced their tushes off and fucked a lot in the bushes, but, hey, they haven’t bagged a beau for the winter and they’ve maxed out their credit cards.

English
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About Edmund White

Edmund White (born January 13, 1940) is an American novelist, memoirist, and an essayist on literary and social topics. Much of his writing is on the theme of same-sex love. Probably his best-known books are The Joy of Gay Sex (1977) (written with Charles Silverstein) and his trio of autobiographic novels, A Boy's Own Story (1982), The Beautiful Room Is Empty (1988) and The Farewell Symphony (1997).

Biography information from Wikiquote

Also Known As

Alternative Names: Edmund Valentine White III
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Additional quotes by Edmund White

The school was nothing but reminiscence — of an Italian hill town, a French abbey, an English academy, the different sources improbably but convincingly melded into a fantasy about the classic sites of Europe as imagined by exiles from cold peripheral lands, nostalgia about somebody else's past.

I appreciated the sense of drama he wanted to inject into my existence and I was flattered that he thought I, or at least some essential if somewhat abstract principle within me, was worth saving.<p>I also felt surging within me a fierce need to be independent. Of course I responded to the appeal of divine hydraulics, this system of souls damned or crowned or destroyed or held in suspense, these pulleys and platforms sinking and lifting on the great stage, and I recognized that my view of things seemed by contrast impoverished, lacking in degree and incident. But the charming intricacy of a myth is not sufficient to compel belief. I found no good reason to assume that the ultimate nature of reality happened to resemble the backstage of an opera house.

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