This great body (the social body) subsists by virtue of conservative principles, as does everything which has proceeded from the hands of the Almighty... When we think we have reached the highest point of the scale we find laws as fixed as those which govern the heavenly bodies: we turn to the phenomena of physics, where the free will of man is entirely effaced, so that the work of the Creator may predominate without hindrance. The collection of these laws, which exist independently of time and of the caprices of man, form a separate science, which I have considered myself entitled to name social physics.
Belgian astronomer, mathematician, statistician and sociologist (1796-1874)
Lambert Adolphe Jacques Quetelet (or Quételet) (22 February 1796 – 17 February 1874) was a Belgian astronomer, mathematician, statistician and sociologist. He founded and directed the Brussels Observatory and was perpetual secretary of the Royal Academy of Brussels. Quetelet was influential in introducing statistical methods to the social sciences.
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The great body of population dynamics, like those of the motion of the celestial bodies, can be solved—and what is most remarkable, there is a surprising analogy between the formulas employed in these calculations. I believe that I have achieved to some extent what I have long said about the possibility of founding a social mechanics on the model established by celestial mechanics—to formulate the motions of the social body in accordance with those of celestial bodies, and to find there again the same properties and laws of conservation.
Social physics never can pretend to discover laws which will verify themselves in every particular, in the case of isolated individuals. The science will have rendered a service sufficiently vast, in giving more precise views upon a host of points, of which vague glimpses only were before possessed.
It would be an error... to suppose that science makes the artist; yet it lends to him the most powerful assistance. In general, it is difficult to keep it within due limits; and I shall even freely admit that Albert Durer, in his work upon the proportions of the human frame, has imparted to it a certain scientific dryness, which lessens its utility. One finds there more of the geometer than the artist, and the geometer, moreover, such as he was at a time when it had not yet been discovered how much the rules of style enhance the value of scientific works, and, above all, of those which appertain at the same time to the domain of the fine arts.
The principal artists of the era of the revival of letters, such as Leon Baptista Alberti, Michael Angelo, Leonardo da Vinci, Albert Durer, with many others who what art ought to borrow from science, felt the necessity of resorting to observation, in order to rebuild in some sort the ruined monument of ancient artistical skill. They studied nature in a philosophical manner; sought to strike out the limits within which they ought to confine themselves in order to be truthlike... and from those profound studies which kept them ever before the face of nature, they deduced original views and new models, destined to distinguish for ever that celebrated age. The proportions of the human body did not alone attract their attention: anatomy, perspective, and chemistry, formed parts of their studies; nothing was neglected; and some of these great artists even gained for themselves a first place among the geometers of their day. Their successors have not devoted themselves to such serious studies, and hence it so frequently happens that they are reduced to content themselves, either with copying from those who went before them, or with working after individual models, whose proportions they modify according to mere caprice, without having any just or proper ideas of the beautiful.
We both call in experience to the support of our opinions; but, in your case, the experience is based on vague uncertainties, whilst I, more circumspect, strive never to lose sight of those scientific principles which ought to guide the observer in all his investigations. My aim is not to defend systems, or bolster up theories; I confine myself to the citation of facts, such as society presents to our view. If these facts be legitimately established, it follows that we must accept of and accommodate our reason to them.
I would suggest... the idea of a work which should have for its object the analytic examination of the development of our intellectual faculties for each age. Now, I have aimed to present, in the work here reproduced, only an essay, only a particular example, of such an analysis, "which tends to show that the maximum of energy of the passions occurs about the age of twenty-five." The minimum is not then determined; and even when it shall be, by a sufficient number of observations, one will no more be able to apply it to any given individual in particular, than one could make use of a table of mortality to determine the period of his decease.
Little by little his conversation, always instructive and animated, gave a special direction to my tastes, which would have led me by preference towards letters. I resolved to complete my scientific studies and followed the courses in advanced mathematics given by M. [Jean Guillaume] Gamier. It was at the same time agreed by us that, in order to relieve him in his work, I should give some of the other courses with which he was charged. I thus found myself his pupil and his colleague.
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Every social state supposes... a certain number and a certain order of crimes, these being merely the necessary consequences of its organisation. This observation, so discouraging at first sight, becomes, on the contrary, consolatory, when examined more nearly, by showing the possibility of ameliorating the human race, by modifying their institutions, their habits, the amount of their information, and, generally, all which influences their mode of existence.