I don't want to feel you die,
but if that's the way that God has planned you
Well, I'll put pennies on your eyes.
And it will go away, see?
You've only lived a minute of your life.
I must be dreaming...
Is someone calling me? No...
I think I hear a voice,
They're outside the door!

I used to be such a sweet, sweet thing 'Til they got a hold of me. I opened doors for little old ladies, I helped the blind to see. I got no friends 'cause they read the papers. They can't be seen with me and I'm gettin' real shot down And I'm feeling mean. No more Mister Nice Guy, No more Mister Clean, No more Mister Nice Guy, They say he's sick, he's obscene.

People that haven't seen us yet are shocked because they think that Alice Cooper must be a female folksinger. They don't expect the whole thing. And the whole thing is a direct product of television and movies and America, 'cause that's where America's based. That's where their heart is from the sex and violence of TV and the movies, and that was our influence.

I remember attending a Friars roast for Muhammad Ali when Don Rickles grabbed me and walked me up to Sinatra. “Hey, Frank,” he said to the Chairman of the Board, “tonight I’m sitting with this guy. You know why? Because he fills up baseball stadiums! You play bars.” Frank laughed and waved him off, with me standing there silently.

Share Your Favorite Quotes

Know a quote that's missing? Help grow our collection.

I call it treason against rock 'n' roll because rock is the antithesis of politics. Rock should never be in bed with politics. ... When I was a kid and my parents started talking about politics, I'd run to my room and put on the Rolling Stones as loud as I could. So when I see all these rock stars up there talking politics, it makes me sick. .... If you're listening to a rock star in order to get your information on who to vote for, you're a bigger moron than they are. Why are we rock stars? Because we're morons. We sleep all day, we play music at night and very rarely do we sit around reading the Washington Journal.

One of the band’s all-time-favorite movies was What Ever Happened to Baby Jane?, starring Bette Davis. In the movie, Bette wears disgusting caked makeup smeared on her face and underneath her eyes, with deep, dark, black eyeliner. She looks horrific and creepy because she put on traditional makeup thickly and badly. Another movie we watched over and over was Barbarella. One character, the Great Tyrant, was played by the gorgeous European actress Anita Pallenberg. She dressed in black leather with a black eye patch and had switchblades coming out of her. Alice Cooper’s look evolved from a composite of those female movie characters, with a little bit of Emma Peel from The Avengers added for good measure.

I’m understanding that there are cases of transgender, but I’m afraid that it’s also a fad, and I’m afraid there’s a lot of people claiming to be this just because they want to be that,” he said. “I find it wrong when you’ve got a six-year-old kid who has no idea. He just wants to play, and you’re confusing him telling him, ‘Yeah, you’re a boy, but you could be a girl if you want to be.’

Unlimited Quote Collections

Organize your favorite quotes without limits. Create themed collections for every occasion with Premium.

It's so funny that people think I actually ran for President. I am maybe the most un-political person you're ever going to meet. When I put "Elected" out, it was definitely a satire ... "Alice Cooper for President" ... when everybody realized I was running against Nixon, you known, even on a joke level, I think I got a lot of write-in votes.

I get onstage now with more attitude at fifty-seven than I had when I was twenty. When I was twenty, my attitude was kind of like, "Yeah, yeah…I'm a big rock star." Now, when I get onstage, I go up there, and I am the Moriarty of rock. I am the consummate villain. I am the Hannibal Lector of rock, and I play it like that. Alice just seems like an arrogant bastard or villain who is making the audience feel as though they are lucky to be there when in reality that is exactly the opposite of my personality. With Alice though…it is great to play him or portray him as an Alan Rickman type character who is very condescending. That’s what makes him fun to watch — he's Captain Hook.

In the early days when I was drinking ... I had a very blurry line about where those two were... but I mean, that happens when you drink twenty-two hours a day. I would just sit and drink. I didn’t know whether or not I was supposed to be Alice when I went out for dinner and was a little lit. Then there was the question about whether or not I should wear the make up because I didn’t really want to disappoint anyone. Was I supposed to get into trouble? Was I supposed to get arrested that night? All of those questions went through my mind. You have to remember though who my older brothers and sisters were though--guys like Jim Morrison and Keith Moon and all the people who were living that life. After they all died, I just sat there and went, “if one generation is going to learn from the next the truth is going to have to be that you don’t have to die to be your character.” I figured then that I had better be able to separate the two. When I go onstage as Alice to this day, I play Alice to the hilt — I play him for everything he is worth, but when I’m offstage, I never think about Alice Cooper. He never occurs to me. .. I walk off stage though and I turn away from the audience, I go back to being me again. Whenever I see an audience, that’s when I turn into Alice. If there was no audience there, there would be no reason to be Alice. … If I tried to be Alice Cooper all the time — I’d either be in an insane asylum or in jail or dead. Alice is just too intense, and you just can’t be Alice all the time. Jim Morrison couldn’t be Jim Morrison, so he died. Jimi Hendrix couldn’t be Jimi Hendrix, so he died. That’s really what killed Janis Joplin, Keith Moon and all the way down the line. They were all animated characters who couldn’t live up to their lifestyle, so I said that I needed to be able to separate the two — that’s why I’m still here.