How mercy gets to exist, where it comes from, perhaps can be seen from the inner evidence and images of the poem — an act of self-realization, self acceptance and the consequent and inevitable relaxation of protective anxiety and self hood and the ability to see and love others in themselves as angels without stupid mental self deceiving moral categories selecting who it is safe to sympathize with and who is not safe.

I want to know I want I want ridiculous to know to know WHAT rotting ginsberg I want to know what happens after I rot because I’m already rotting my hair’s falling out I’ve got a belly I’m sick of sex my ass drags in the universe I know too much and not enough I want to know what happens after I die well I’ll find out soon enough do I really need to know now? is that any use at all use use use death death death death death god god god god god god god the Lone Ranger the rhythm of the typewriter

To gain your own voice, forget about having it heard. Become a saint of your own province and your own consciousness.

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You can own an elephant or a bank or power thereof but if there's no personal breast bliss all you own is a lot of dead atoms and ideas.

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The weight of the world is love. Under the burden of solitude, under the burden of dissatisfaction
the weight, the weight we carry is love.
Who can deny? In dreams it touches the body, in thought constructs a miracle, in imagination anguishes till born in human - looks out of the heart burning with purity - for the burden of life is love,
but we carry the weight wearily, and so must rest in the arms of love at last, must rest in the arms of love.
No rest without love, no sleep without dreams of love - be mad or chill obsessed with angels or machines, the final wish is love - cannot be bitter, cannot deny, cannot withhold if denied:
the weight is too heavy
- must give for no return as thought is given in solitude in all the excellence of its excess.
The warm bodies shine together in the darkness, the hand moves to the center of the flesh, the skin trembles in happiness and the soul comes joyful to the eye — yes, yes, that's what I wanted, I always wanted, I always wanted, to return to the body where I was born.

What prophecy actually is is not that you actually know that the bomb will fall in 1942. It’s that you know and feel something that somebody knows and feels in a hundred years. And maybe articulate it in a hint — a concrete way that they can pick up on in a hundred years.