"The next world is 'segregated'? You can go to the World of Yin only if you're Chinese?"
"No-no! Miss Banner, she not Chinese, she go to Yin World. All depend what you love, what you believe. You love Jesus, go Jesus House. You love Allah, go Allah Land. You love sleep, go sleep."
"What if you don't believe in anything for sure before you die?"
"Then you go big place, like Disneyland, many places can go try — you like, you decide. No charge, of course."

Teddy once told me that it's natural that we feel alone, and that's because our hearts are different from others and we don't even know how. When we're in love, as if by magic, our different hearts come together perfectly toward the same desire. Eventually, the differences return, and then comes heartache and mending, and, in between, much loneliness and fear. If love remains despite the pain of those differences, it must be guarded as rare...

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And now at the airport, after shaking hands with everybody, waving good-bye, I think about all the different ways we leave people in this world. Cheerily waving good-bye to some at airports, knowing we'll never see each other again. Leaving others on the side of the road, hoping that we will. Finding my mother in my father's story and saying good-bye before I have a chance to know her better.

I was writing for businesses. I think my mother was a little skeptical in the beginning, but fortunately, as a free-lance writer I was successful almost immediately. And so she was very proud, because she measured success in terms of money, which is what I started to do as well. My goal then, became to increase the amount of money that I made each month. Not simply each year, but each month — I mean, talk about pressure — to have more billable hours each month. So that by the end of my third year of being a free-lance writer, I was billing 90 hours a week. I had no time to sleep. I had no life. People said I was crazy, that I was a workaholic. And I couldn't understand how it was that I had these wonderful clients, and I was making all this money, and I wasn't happy and I didn't feel successful. That's when I started to write fiction.

External success has to do with people who may see me as a model, or an example, or a representative. As much as I may dislike or want to reject that responsibility, this is something that comes with public success. It's important to give others a sense of hope that it is possible and you can come from really different places in the world and find your own place in the world that's unique for yourself.

Reading for me was a refuge. I could escape from everything that was miserable in my life and I could be anyone I wanted to be in a story, through a character. It was almost sinful how much I liked it. That's how I felt about it. If my parents knew how much I loved it, I thought they would take it away from me. I think I was also blessed with a very wild imagination because I can remember, when I was at an age before I could read, that I could imagine things that weren't real and whatever my imagination saw is what I actually saw. Some people would say that was psychosis but I prefer to say it was the beginning of a writer's imagination. If I believed that insects had eyes and mouths and noses and could talk, that's what they did. If I thought I could see devils dancing out of the ground, that's what I saw. If I thought lightning had eyes and would follow me and strike me down, that's what would happen. And I think I needed an outlet for all that imagination, so I found it in books.