American author and producer
Ann Druyan (born June 13, 1949) is an American author and producer specializing in productions about cosmology and popular science. She was a co-writer of the 1980 PBS documentary series Cosmos, hosted by Carl Sagan whom she married in 1981. She is the creator/producer/writer of the follow-up Cosmos seasons: Cosmos: A Spacetime Odyssey and Cosmos: Possible Worlds. She was in charge of music selections that were included with the pioneer spacecraft, Voyager 1 and Voyager 2.
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One starry night, as we lay together on the deck of a ship in the Pacific, we spotted a dolphin couple riding the wave off the hull. We watched them for about 10 minutes, when suddenly in a single graceful motion they peeled off the wave at a right angle and disappeared into the deep. They moved in unison as if they had been communicating in some mysterious way. Carl looked at me and smiled: "That's us, Annie," he said. We had 20 years until his death made me a permanent exile from that world we discovered together. I was suicidal. But our children were still young and as their mother I had no choice but to live. So I carried what I learned with Carl inside me and have done my best to keep his flame burning. I rededicated my life to continuing the work we had done together.
To turn away from reality and to not listen to the scientists, couldn't be more dangerous. We've begun seeing the consequences of our disregard for the environment, they have started to accrue at a rapid pace. I don't want to yell at people and harangue them, but I would love to create a vision of a hopeful future--one that we can still have, based on the strength and courage of our ancestors and on the power of our technological and scientific reach. If we awaken from this crazy sleep.
In that photo ("Pale Blue Dot"), the inner meaning of four centuries of astronomical research is suddenly available to all of us at a glance. It is scientific data and art equally, because it has the power to reach into our souls and alter our consciousness. It is like a great book or movie, or any major work of art. It can pierce our denial and allow us to feel something of reality-even a reality that some of us have long resisted. A world that tiny cannot possibly be the center of a cosmos of all that is, let alone the sole focus of its creator. The pale blue dot is a silent rebuke to the fundamentalist, the nationalist, the militarist, the polluter-to anyone who does not put above all other things the protection of our little planet and the life that it sustains in the vast cold darkness. There is no running away from the inner meaning of this scientific achievement.
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What I would be so happy about is—I don’t expect everybody to understand everything about science at the end of the season, but I want them to be curious about learning more. I want them to understand the power of science, and its tremendous liberating potential. If those things are communicated, then I feel like my work is done.
Another thing we're doing is that "Cosmos" has a view of the future which I believe has the power to inspire. So much of what we see, and so much of what our kids and grandchildren see, is so dystopic and despairing. It's like … our punishment for all our sins is just around the corner, and humanity doesn't have a future, except the one that's choking and dying. And in "Cosmos" we imagine the future that we can still have.
When Carl wrote Cosmos: A Personal Voyage, he imagined an Encyclopedia Galactica-a reference work that includes all the worlds of all the stars. He was bravely writing at a time before a single exoplanet had been discovered and long before the internet. In the decades since, we have located thousands of planets orbiting other stars. His dream of the Encyclopedia Galactica is a little closer to reality now.
We have known about the dangers we pose to ourselves for decades and yet we continue sleepwalking toward a grim future, somehow numb to what it will mean for our children and theirs. Almost every depiction of our world's future in popular culture is a dystopian vision of a planet piled high with garbage, a ruined wasteland. They are accurate reflections of the fear in our hearts. But if dreams are maps, could a great dream of our future possibly help us find our way out of this nightmare?
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above all, Albert Einstein was a true believer in the scientist's duty to communicate with the public...those attending heard not much more than the words that began his speech: "If science, like art, is to perform its mission truly and fully, its achievements must enter not only superficially but with their inner meaning into the consciousness of the people." This always has been and always will be, the dream of Cosmos. When I stumbled upon Einstein's rarely quoted words of that night during some random late-night wandering on YouTube, I found the credo for 40 years of my life's work. Einstein was urging us to tear down the walls around science that have excluded and intimidated so many of us-to translate scientific insights from the technical jargon of its priesthood into the spoken language shared by us all, so that we may take these insights to heart and be changed by a personal encounter with the wonders they reveal...We didn't know that particular Einstein quote when Carl and I began writing the original Cosmos in 1980 with astronomer Steven Soter. We just felt a kind of evangelical urgency to share the awesome power of science, to convey the spiritual uplift of the universe it reveals, and to amplify the alarms that Carl, Steve, and other scientists were sounding about our impact on the planet. Cosmos gave voice to those forebodings, but it was also suffused with hope, with a sense of human self-esteem derived, in part, from our successes in finding our way in the universe, and from the courage of those scientists who dared to uncover and express forbidden truths.