writer
Caitlín Rebekah Kiernan (born 26 May 1964) is an Irish-born American author, paleontologist, and prolific blogger perhaps most famous for the novels The Drowning Girl: A Memoir and The Red Tree. Kiernan is a two-time recipient of both the World Fantasy and Bram Stoker awards.
From: Wikiquote (CC BY-SA 4.0)
Pen Names:
Kathleen Tierney
Alternative Names:
Caitlín Rebekah Kiernan
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Caitlin R. Kiernan
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Caitlin Rebekah Kiernan
From Wikidata (CC0)
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No story has a beginning, and no story has an end. Beginnings and endings may be conceived to serve a purpose, to serve a momentary and transient intent, but they are, in their fundamental nature, arbitrary and exist solely as a convenient construct in the minds of man. Lives are messy, and when we set out to relate them, or parts of them, we cannot ever discern precise and objective moments when any given event began. All beginnings are arbitrary.
I was thinking, earlier, how there's this stigma attached to "writing for money" and how odd that is, as though writing is akin to sex (another "creative" act?) and writing for money is akin to prostitution in the minds of so many people. Whoring with adjectives, so to speak. Do I give good prose? Look up the definition of "hack." So, there must be the perception that writing, like the priesthood, comes with some higher purpose in tow. Getting paid well somehow sullies the purer cause. I've heard writers dismiss something or another that they've written by explaining, "Oh, yes, I know that sucked, but I only wrote it because they paid me so much money." And then we might even forgive them a piece of crap, because we have a sensible explanation. That wasn't a real orgasm. I was only faking the plot. Dorothy Parker and F. Scott Fitzgerald and William Faulkner in Hollywood.
Chance smiled back at him, and “Well, can you think of anything else I could do with my life that could ever possibly be half this splendid, half this important? I’m learning to read, Deke, and not just the handful of things men have been around long enough to write down. The history of the whole damned planet is written in rocks, just lying there waiting for us to learn how to read it.
I'm not kidding, and I'm not being hyperbolic — sometimes I hate this thing I do more than I could ever say. Sometimes, it seems that I spend my days dragging people whose only crime is that I am their creator through the filth and pain and degradation of my own despicable imagination. Where is the good in this? Where is the resolution? Where is the sense of it? If I had even a scintilla of belief in a "higher" intelligence of any sort, days like yesterday (and, by extension, today) would, on the one hand, give me some degree of sympathy for the idiot dieties unable to craft a better universe, and, on the other hand, it makes me grateful I have no such beliefs, because the anger I would have for that "higher" whatever would be inexpressible. And I cannot imagine that there are actually people out there — self-professed "horror" writers — who are trying to elicit these emotions in others, who are purposefully driving their characters on through all the futile, dead-end nightmares that might be devised. I would not do this. I swear I would not do this, if I could find other words in me.
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...and for the first time in her life the tears that had always seemed to flow so easily, had always been there, eager to soothe any loss or ache, had refused to come, and somehow, that had been the most frightening thing of all.
Used 'em all up on trifling shit, and now there's nothing left to cry. Like something her mother used to say or maybe a schoolteacher had said a long time ago. Stop bawling or someday you won't be able to cry, someone you love will die and you won't ever be able to stop hurting.
Sometimes, I think that the most alien thing to mankind is mankind itself. The real aliens live next door or across the border or somewhere overseas. Each man and woman defines the world about them, creating a set of those things which they consider "normal" and "good" and "evil" and "sympathetic" and "likable," and these are damned indomitable walls. They are high and thick, and it is the task of the writer to penetrate or scale them. To break in. To shatter preconceptions. To force people to rethink cherished opinions and prejudices.
Hauntings are memes, especially pernicious thought contagions, social contagions that need no viral or bacterial host and are transmitted in a thousand different ways... Too often, people make the mistake of trying to use their art to capture a ghost, but only end up spreading their haunting to countless other people.