Chris Martin Quotes

If you can give someone the pleasure of not liking you, maybe that’s as valid as the pleasure of liking you, some people want to assert themselves by showing the things they don’t like. It’s a form of positioning yourself. We all do that. I get it. But I’m more focused on the people who do like what we do, and there’s a few of them. I like hanging out with those people. If you ever liked Coldplay, then we’re going to really deliver on our promise over the next year or so. It’s not guarded music. It’s about very open things and that might not resonate with some people. But I don’t want to obscure our music behind coolness or cynicism just to avoid criticisms. Because for some people it really connects, and I need it, too.

I have been reading recently about synesthesia, in this case, the association of music and other sensory information with colors and I realized that I probably have a little or a lot of that current. I don't think it's unusual for songwriters. When I think of other people's songs or albums, a color comes to my mind.

As a rule, I take a piece of paper and a pencil and for 12 minutes nothing is written in your head without editing, without censorship, just to get it out of your mind. After that it gets read and the paper is destroyed immediately. It's very good to write a song with what has been left in your memory, without reading it again. It's as if you chose the best, the memory is that selective... Do you know what is also good for creativity? Write fast. Once a week, don't eat for 24 or 30 hours. Your brain becomes very lucid about ideas.

There is no music that has full meaning for everyone. It's what we have learned from the world: that no one thinks the same thing.

I always felt that, as a musician, we show up for one day for a cause and we really believe in what we’re talking about, but then the next day we have our own concerns. I want to try to have a more long-term relationship between artists and people who are really trying to affect change in the world.

I guess it's maybe because the industry has been struggling and you don't sell 50 million in your first production, all the numbers are different from when we all started. I see that there's quite good camaraderie (between musicians). Obviously, there are those who want to stay out of it. I don't know about music, but in backstage or at airports, everyone seems to get along very well. source

No human being is only positive or negative. White or black, we all have both sides, the bright and the dark. There are no angels, it's a myth, nobody is a single thing, it's easy to fall into cynicism because wherever you look there are aggressions, war, destruction. I get it, ok? And it's true that for some Imagine [song by John Lennon] will tell you absolutely nothing. And if you have lost your cousin in an attack you would not want to hear it, you would be furious.

One of our big conversations that we always have in this band is, we don't see rock & roll as being about coke-taking, leather-trouser-wearing rebellion, because that to us is not rebellion anymore. The spirit of rock & roll is freedom. It's about following what you believe in and not caring what anyone else says. And if that means writing something on your hand, then you've got to write something on your hand. It doesn't matter if you don't look as cool as the Ramones - you're never going to, anyway. So I know that we'll be ridiculed for this and look stupid for that. But as long as we believe in what we're doing, we can't apologize for it.

It does something to your brain which is odd... you have to work really hard not to be a real d**k (in personal life). source

If you don't let love really in then you can't really give it back. source

[As a teenager] I felt like there must be more to life than rugby and cheap cider on the weekends.

I don’t think being 13 to 15 is an easy time for any boy. It’s like a big puberty race, and if you’re coming in last, it’s not such a great race to be in. I was a hyper-religious, quite naive and very judgmental kid. I was unpopular for three years, and then it all kind of switched when I was 16. But I had already been marked with the “I’m going to fucking get out of here and show you bastards what’s what” tag. So I’m very grateful for that period of challenge between 13 and 16, facing the blinkeredness of that kind of schoolboy mentality of, like, “You’re gay, you’re bad at sports, you’re this, you’re that.” Because it did make me think: “I don’t want to end up in some bank, where I’m going to have to take this kind of shit off these same people for the rest of my life. I need to get out of this fucking treadmill 'public school, into university, into a bank, into a summer house in France'.”

Ever since our band came out, we have been a very polarising group because we do a certain thing very well.

What changed for me was – I don’t want to go through life being scared of it, being scared of love, being scared of rejection, being scared of failure.

Not cool. Ever. I’ve never been cool and I don’t really care about being cool. It’s just an awful lot of time and hair gel wasted. At school I was a medium-clever geek. If you’re at public school (Sherbourne) and you’re not that good at rugby, you spend quite a few important years of your life feeling like a real loser. We’ve never been about cool. What’s happened to us is more about showing that the geeks at school can get there in the end. And you have to stay true to who you are, the root of all this is to do with our friendship. source