British-American novelist (1904-1986)
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To live sanely in Los Angeles (or, I suppose, in any other large American city) you have to cultivate the art of staying awake. You must learn to resist (firmly but not tensely) the unceasing hypnotic suggestions of the radio, the billboards, the movies and the newspapers; those demon voices which are forever whispering in your ear what you should desire, what you should fear, what you should wear and eat and drink and enjoy, what you should think and do and be. They have planned a life for you – from the cradle to the grave and beyond – which it would be easy, fatally easy, to accept. The least wandering of the attention, the least relaxation of your awareness, and already the eyelids begin to droop, the eyes grow vacant, the body starts to move in obedience to the hypnotist’s command. Wake up, wake up – before you sign that seven-year contract, buy that house you don’t really want, marry that girl you secretly despise. Don’t reach for the whisky, that won’t help you. You’ve got to think, to discriminate, to exercise your own free will and judgment. And you must do this, I repeat, without tension, quite rationally and calmly. For if you give way to fury against the hypnotists, if you smash the radio and tear the newspapers to shreds, you will only rush to the other extreme and fossilize into defiant eccentricity.
California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
'Let's face it, minorities are people who probably look and act and think differently from us and have faults we don't have. We may dislike the way they look and act, and we may hate their faults. And it's better if we admit to disliking and hating them, than if we try to smear over our feelings with pseudo-liberal sentimentality. If we're frank about our feelings, we have a safety valve; and if we have a safety-valve, we're actually less likely to start persecuting. . . . I know that theory is unfashionable nowadays. We all keep trying to believe that, if we ignore something long enough, it'll just vanish––
'Where was I? Oh yes. . . Well, now, suppose this minority does get persecuted – never mind why – political, economic, psychological reasons – there always is a reason, no matter how wrong it is – that's my point. And, of course, persecution itself is always wrong; I'm sure we all agree there. But, the worst of it is, we now run into another liberal heresy. Because the persecuting majority is vile, says the liberal, therefore the persecuted minority must be stainlessly pure. Can't you see what nonsense that is? What's to prevent the bad from being persecuted by the worse? Did all the Christian victims in the arena have to be saints?'
'And I'll tell you something else. A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority — not without a cause, I grant you. It even hates the other minorities – because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they're all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn't! Then why should it make them nice to be loathed?'
There is one question which we seldom ask each other directly: it is too brutal. And yet it is the only question worth asking our fellow-travellers. What makes you go on living? Why don't you kill yourself? Why is all this bearable? What makes you bear it?
Could I answer that question about myself? No. Yes. Perhaps . . . I supposed, vaguely, that it was a kind of balance, a complex of tensions. You did whatever was next on the list. A meal to be eaten. Chapter eleven to be written. The telephone rings. You go off somewhere in a taxi. There is one's job. There are amusements. There are people. There are books. There are things to be bought in shops. There is always something new. There has to be. Otherwise, the balance would be upset, the tension would break.
'Why should you do a job anyway? What's the incentive?'
'The incentive is to fight anarchy. That's all Man lives for. Reclaiming life from its natural muddle. Making patterns.'
'Patterns for what?'
'For the sake of patterns. To create meaning. What else is there?'
'And what about the things that won't fit into your patterns?'
'Discard them.'