حينما نفقد الاتصال بالروح الغريزية, نعيش في حالة تشبة الحطام وتهيؤات كالأوهام, بحيث لا يتسنى للقوى-التي هي طبيعية في الأنثى- أن تنمو وتمر بأطوارها بالكامل. حينما تُقتلَع المرأة من تربتها الحقيقية, تفقد حيويتها وتضطرب دورات حياتها الطبيعية والفطرية, وتدخل ضمن التصنيفات الثقافية والفكرية والنفسية التي تنتمي إلى الآخرين.
American psychoanalyst and writer
Clarissa Pinkola Estés (born January 27, 1945) is a first-generation American writer and Jungian psychoanalyst. She is the author of Women Who Run with the Wolves (1992), which remained on the New York Times bestseller list for 145 weeks and has sold over two million copies.
From: Wikiquote (CC BY-SA 4.0)
Alternative Names:
Clarissa Pinkola Estes
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When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, and inspiratrice, and intuitive, a maker, a creator, and inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds.
We all begin as a bundle of bones lost somewhere in a desert, a dismantled skeleton that lies under the sand. It is our work to recover the parts. It is a painstaking process best done when the shadows are just right, for it takes much looking. La Loba indicates what we are to look for — the indestructible life force, the bones.
I'll tell you right now, the doors to the world of the wild self are few but precious. If you have a deep scar, that is a door; if you have an old, old story, that is a door. If you love the sky and the water so much that you almost cannot bear it, that is a door. If you yearn for a deeper life, a full life, a sane life, that is a door.
The doors to the world of the wild Self are few but precious. If you have a deep scar, that is a door, if you have an old, old story, that is a door. If you love the sky and the water so much you almost cannot bear it, that is a door. If you yearn for a deeper life, a full life, a sane life, that is a door.
El duende is literally the goblin wind or force behind a person’s actions and creative life, including the way they walk, the sound of their voice, even the way they lift their little finger. It is a term used in flamenco dance, and is also used to describe the ability to “think” in poetic images. Among Latina curanderas who recollect story, it is understood as the ability to be filled with spirit that is more than one’s own spirit. Whether one is the artist or whether one is the watcher, listener, or reader, when el duende is present, one sees it, hears it, reads it, feels it underneath the dance, the music, the words, the art; one knows it is there. When el duende is not present, one knows that too.
So, whether you are an introvert or extrovert, a woman-loving woman, or a man-loving woman, or a God-loving woman, or all of the above: Whether you are possessed of a simple heart or the ambitions of an Amazon, whether you are trying to make it to the top or just make it to tomorrow, whether you be spicy or somber, regal or roughshod - the wild woman belongs to you.
She stalls for time, she bides her time, she plans her strategy and calls up her power internally, before she makes an external change. Sometimes it is just this kind of immense threat from the predator that causes a woman to change from being an adaptive dear to having the hooded eye of the watchful.
Like night dreams, stores often use symbolic language, therefore bypassing the ego and persona, and traveling straight to the spirit and soul who listen for the ancient and universal instructions embedded there. Because of this process, stories can teach, correct errors, lighten the heart and the darkness, provide psychic shelter, assist transformation and heal wounds.
And then there are the cravings.. Oh, la! A woman may crave to be near water, or be belly down, her face in the earth, smelling the wild smell. She might have to drive into the wind. She may have to plant something, pull things out of the ground or put them into the ground. She may have to knead and bake, rapt in dough up to her elbows.
She may have to trek into the hills, leaping from rock to rock trying out her voice against the mountain. She may need hours of starry nights where the stars are like face powder spilt on a black marble floor. She may feel she will die if she doesn’t dance naked in a thunderstorm, sit in perfect silence, return home ink-stained, paint-stained, tear-stained, moon-stained.
An artist is an artist before they have ever produced a single thing. The production of something is not what makes a body an artist. It is the soul that makes an artist, the core of the psyche that fills the person, the creative fire inside a person that make them an artist. And if that person has the soul of an artist, that is they have the burning as each and every individual does, then they are an artist, they are entitled to the title artist, we are all entitled to the title artist before we have produced one single thing
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