I now felt I’d made a mistake in Uvira. I’d let my guard down. I’d allowed myself to feel I belonged. But there was no real belonging—not anymore. There was only coming and going and coming and going and dying. There was no point in letting anybody get close.

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Home is a concept. It’s one of a story that we cling to so deeply. When your home has been really, “here is my couch, here is my this, here is my that,” it becomes like mine. For me, home is where people who are loving are. It could be on the street. It could be inside of a tent. It could be in a place where they’re not given a land, then that is a place called a slum. It could be in the high rises of New York or in the middle of chaos in Mexico City. And the physical piece of a home is so important, especially when the weather—sun, cold—is against you…

I thought if I stated my name enough times, my identity would fall back into place […] But a name is a cover, a placeholder, not the whole story. A name is a basin with a leak that you need to constantly fill up. If you don’t, it drains and it’s just there, a husk, dry and empty.

Every single person on the planet has equal humanity. In my own life I’ve gone from being seen as utterly worthless to [having] great privilege, and nothing about who I am inside has changed. Every person you see seeking refuge, every person you see walking away from their whole life because their country has descended into chaos and war…I am every one of those people. You are every one of those people too…

I resent and revile [the word genocide]. The word is tidy and efficient. It holds no true emotion. It is impersonal when it needs to be intimate, cool and sterile when it needs to be gruesome. The word is hollow, true but disingenuous, a performance, the worst kind of lie.