English author, film director, and visual artist (born 1952)
Clive Barker (born 5 October 1952) is an English playwright, author, film director, and visual artist. His novels include The Great and Secret Show, Weaveworld, and Imajica. His films include Hellraiser, Nightbreed, and Lord of Illusions.
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The fact that Pinhead is a character that audiences want to watch, that women find sexy, that people have tattooed on their own bodies, I think, is perfectly extraordinary, and I'm incredibly pleased about it. I don't think an analysis of what he does in the movies ever completely illuminates the charm that the guy has.
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“Are you coming?” he said.
“In a moment.”
“It’s now or never.”
Maybe it would be never, then. She was so transfixed by the formidable power being unleashed in front of her, she couldn’t avert her astonished gaze. It fascinated her that strength of this magnitude should be turned to the sordid business of atrocity; something was wrong with a reality that made that possible, and offered no cure for it, nor hope of cure.
By and large, horror fiction is the most difficult to domesticate because part of the point is that it's one step ahead – or behind – everybody else's taste. And I'm not really convinced I'd like it to change. There's something very healthy about horror fiction being always a little bit on the outside. It's the wild-dog genre.
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Shadwell threw down his gun, and—though he had no taste for abattoirs—forced himself to survey the carnage before him. It was, he knew, the responsibility of one aspiring to godhood never to look away. Willful ignorance was the last refuge of humanity, and that was a condition he would soon have transcended.
And, when he studied the scene, it wasn’t so unbearable. He could look at the tumble of corpses and see them for the empty sacks they were.