It is clearly absurd to say that if you go on adding atoms together until they have fused into a complex molecule, that molecule will become capable of self-reproduction. It is like saying that a skyscraper is more capable of reproduction than a bungalow. And suppose life did come into being through some accidental interaction of molecules, sun and cosmic rays; why should it not be content to rest passively? Why should it have been possessed of a desire to persist and evolve?

No matter how honest scientists think they are, they are still influenced by various unconscious assumptions that prevent them from attaining true objectivity. Expressed in a sentence, Fort's principle goes something like this: People with a psychological need to believe in marvels are no more prejudiced and gullible than people with a psychological need not to believe in marvels.

I began with a strong bias toward skepticism. Besides, to tell the truth, I still find occult phenomena a little preposterous and irrelevant. What do they really matter if you place them against the truly great human achievements — against the creative genius of a Michaelangelo, a Beethoven, an Einstein? In that context they seem almost trivial.

I found Randi likable and plausible; the only thing that bothered me was the sweeping and intense nature of his skepticism. He was obviously working from the premise that all paranormal phenomena, without exception, are fakes or delusions. He seemed to take to take it for granted that all of us — there were also two women present — shared his opinions, and he made jovial, disparaging remarks about psychics and other such weirdos. I began to get the uncomfortable feeling of a Jew who has accidentally walked into a Nazi meeting, or a Jehovah's Witness at a convention of militant atheists. As a supposedly scientific psychic investigator, Randi struck me as being oddly fixed in his opinions.

The weakness of the attack lies in its lack of discrimination. It is possible that psychic surgery is a hoax, that plants cannot really read our minds, that Kirlian photography (photographing the "life-aura" of living creatures) may depend on some simple electrical phenomenon. But to lump all of these together as if they were all on the same level of improbability shows a certain lack of discernment. The same applies to the list of "hoaxes." Rhine's careful research into extrasensory perception at Duke University is generally conceded to be serious and sincere, even by people who think his test conditions were too loose. The famous fairy photographs are quite probably a hoax, but no one has ever produced an atom of proof either way, and until someone does, no one can be quite as confident as the editors of Time seem to be. And Ted Serios has never at any time been exposed as a fraud — although obviously he might be. We see here a phenomena that we shall encounter again in relation to Geller: that when a scientist or a "rationalist" sets himself up as the defender of reason, he often treats logic with a disrespect that makes one wonder what side he is on.

It was the normal working of the antisuccess mechanism. In our overcrowded modern world a hit record, a best-selling book, a successful film, can reach more people in a week than Shakespeare or Beethoven reached in a whole lifetime. And so fame has become the most romantic, the most desirable of all commodities, the dream for which a modern Faust might sell his soul to the Devil. Once attained, fame is never as easy to hold on to as some people believe. The people who achieve fame by some accident of fashion are usually forgotten within a week; the ones who remain on top have to work to stay there. But few people understand this. The result is that anyone who achieves sudden notoriety arouses envy and hostility. The greater the success, the greater the reaction.

Imagine a book of unexplained mysteries written by a contemporary of Shakespeare. It might include the mystery of the falling stars that sweep through the sky foretelling disaster; the mystery of the Kraken, the giant sea devil with 50-foot tentacles; the mystery of monster bones, sometimes found in caves or on beaches. Such a book would be a curious mixture of truth and absurdity, fact and legend. We would all feel superior as we turned its pages and murmured: "Of course, they didn't know about comets and giant squids and dinosaurs." If this book should happen to find its way into the hands of our remote descendants, they may smile pityingly and say: "It's incredible to think that they knew nothing about epsilon fields or multiple psychic feedback or cross gravitational energies. They didn't even know about the ineluctability of time." But let us hope that such a descendant is in a charitable mood, and might add: "And yet they managed to ask a few of the right questions."

During his lifetime Gurdjieff did not publish any books on the techniques of his teaching, and his pupils were bound to secrecy on the subject. Since his death in Paris in 1949, however, many of his works have been published, and there has been a flood of memoirs by disciples and admirers. Gurdjieff was in almost ever respect the antithesis of Aleister Crowley. Whereas Crowley craved publicity, Gurdjieff shunned it. Crowley was forgotten for two decades after his death; Gurdjieff on the contrary, has become steadily better known, and his influence continues to grow. One of the main reasons for this is that there was so little of the charlatan about him. He is no cult figure with hordes of gullible disciples. What he has to teach makes an appeal to the intelligence, and can be fully understood only by those who are prepared to make a serious effort.

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When I was in my teens, I invented a term to describe them. I call it 'holiday consciousness' . . . because I often experienced this sense of optimism and wide-awakeness when setting out on a journey or a holiday. It was always the feeling that the world is self-evidently complex and beautiful, and that life is so obviously good that man's boredom and defeat is an absurdity . . . And then I used to ask: Why do men forget this so easily? And the answer seemed obvious: because the human will is so flabby and weak. Instead of being self-controlled, self-driven creatures, most men are little more than leaves on a stream, they drift along hoping for the best. I once wrote that men are like grandfather clocks driven by watchsprings.

That passivity was the essence of the problem. The human being was intended to be passive only in a condition of fatigue, and not always then. Too much passivity of body produced surplus fat, short-windedness, indigestion: passivity of mind produced the same symptoms on the mental level. a feeling of spiritual dyspepsia. Since the average human being has no purposes that are not connected with the activities of keeping alive, the black room was bound to produce passivity, increasing dullness, a state in which the mind is at once awake and static, motionless, stagnant. This sense of dullness was nothing less than the collapse of the sense of reality and of values, the retreat into one's inner world.

When I'm bored, my sense of values goes to sleep. But it's not dead, only asleep. A crisis can wake it up and make the world seem infinitely important and interesting. But what I need to learn is the trick of shaking them awake myself . . . And incidentally, another name for the sense of values is intelligence. A stupid person is a person whose values are narrow.

All men are stuck in a kind of fog. They're surrounded by a wall of fog. They think this is perfectly normal, but it's not. It means that since they can't see much beyond their own little situation, they tend to vegetate. They need some immediate stimulus to keep them alert.

The evolutionary urge drives man to seek for intenser forms of fulfillment, since his basic urge is for more life, more consciousness, and this contentment has an air of stagnation that the healthy mind rejects. (This recognition lies at the centre of my own 'outsider theory': that there are human beings to whom comfort means nothing, but whose happiness consists in following an obscure inner-drive, an 'appetite for reality'.)