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The first-century church in Jerusalem clearly had it. And they didn't have any fancy accoutrements. So it can't possibly be stained-glass windows, hand-carved cherubs, custom silk tapestries, gold-inlaid hymnals, thousand-pipe organs, marble floors, mile-high steeples, hand-painted ceilings, mahogany pews, giant cast-iron bells, and a three-piece, thousand dollar suit. It doesn't stick any better to a young, hip, shaved-headed pastor with rimmed glasses, a goatee, and tattoos than it does to an older, stately gentleman in a robe. Nor is it spotlights and lasers, video production, satellite dishes, fog machines, shiny gauze backdrops, four-color glossy brochures, sexy billboards, loud "contemporary" music, free donuts, coffee shops, hip bookstores, break dancing or acrobatics, sermon series named after television shows, a retro-modern matching chair and table onstage, or blue jeans and Heelys. It is not being on television, being on the Internet, or being on book and magazine covers. It is real. It is genuine.

Ministries that have it tend to be focused on a limited set of targets. They do a few things as if all eternity hinged on their results, and they do these things with godly excellence. Their vision is characterized by specificity. Selectivity. Exclusivity.

If you've ever been part of a ministry that had it, you knew you were part of something special. In other words, you knew it when you saw it. And it was an awesome work of God that couldn't be contained, couldn't be harnessed, and couldn't be explained.

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