Dave Barry Quotes

“But that’s not fair!”
Erik smiled. “Jess, we’re talking about the law here. Fairness has nothing to do with it.”

“It’s complicated.”
Jesse made a face. “Why do lawyers always say that?”
Erik laughed. “Because it’s almost always true.”

So Erik was an asshole. But he was also—not that this was contradictory—a highly successful lawyer.

Once, when the bar was slow, he told her about things he'd found in his clients' pools. Alligators, for example; he'd encountered at least a dozen. Also the occasional snake. Hundreds of frogs. These were to be expected in South Florida, which as far as the native wildlife was concerned was still a swamp, no matter how many houses got built on it. (Chapter 7)

So for a while there, Eddie was one happy ship's officer. But like most men whose brains are in their dicks, he was not really thinking things through. (Chapter 5)

The remote control had 48 buttons. No resident of the Old Farts Senile Dying Center knew how to operate it. They were the Greatest Generation, men and women who had survived the Depression, defeated the Nazis, built America into the greatest nation the world had ever seen. But this damned gizmo had beaten them. (Chapter 4)

Experiences like that led the band to develop the Retaliation Song. The way it worked was, if they were forced to perform a song they hated, they'd retaliate by playing a song that was even worse. For example, if the band had to play "My Way," it would counterattack with Bobby Goldsboro's sap-oozing piece of dreck, "Honey" (She wrecked the car and she was sad, and so afraid that I'd be mad, but what the heck!). One night, at a wedding reception, an extremely drunk man ordered the band to perform "The Ballad of the Green Berets," and then, a half hour later, demanded that it be played again. That night, Arrival struck back with the hydrogen bomb of retaliation songs: "In the Year 2525," the relentlessly ugly Zager and Evans song with the disturbingly weird lyrics (You won't find a thing to chew! Nobody's gonna look at you!). Some guests actually fled the room. (Chapter 3)

Despite countless hours of practice, dozens of auditions, many artistic disputes, seven demo CDs, and two radical changes in hairstyle, Arrival never arrived. It wasn't that they were bad; it was just that, as they reluctantly came to understand, they really weren't anything special. They were competent. The problem was, there were competent bands everywhere. Competence wasn't the key to stardom; you needed something else. Whatever it was, Arrival didn't have it. (Chapter 3)

Gamblers need action, even when the odds suck. And so they return to the ships, night after night—the slot-machine ladies, clutching their plastic cups of quarters; the shouting, hard-drinking craps-table crowd; the roulette addicts, who truly believe, all evidence to the contrary, that there is something lucky about their birthdates; the blackjack loners, with their foolproof systems that don't work—all of them eager to resume the inexorable process of transferring their cash to whoever owns the ship. In the case of the Extravaganza of the Seas, the owner of record was a man named Bobby Kemp, who was usually described in the newspaper as a millionaire entrepreneur. Kemp liked the look of that, entrepreneur, although he personally could not pronounce it. (Chapter 2)

It was the standard airport-security operation, which meant it appeared to have been designed to hassle law-abiding passengers just enough to reassure them, while at the same time providing virtually no protection against criminals with an IQ higher than celery. (Chapter 11)

Even veteran air travelers find Miami International Airport disorienting. It's often crowded, and it seems to have been designed so that every passenger, no matter where he or she is coming from or going to has to jostle past every other passenger. The main concourse looks like a combination international bazaar and refugee camp. There are big clots of people everywhere: tour groups, school trips, salsa bands, soccer teams, vast extended families, all waiting for planes that will not leave for hours, maybe days. There aren't enough places to sit, so the clots plop down and sprawl on the mungy carpet, surrounded by Appalachian Foothill-sized mounds of luggage, including gigantic suitcases stuffed to bursting, as well as a vast array of consumer goods purchased in South Florida for transport back to Latin America, including TVs, stereos, toys, major appliances and complete sets of tires. Many of these items have been wrapped in thick cocoons of greenish stretch plastic to deter baggage theft, which is an important airport industry. Another one being the constant "improvements" to the airport, which seem to consist mainly of the installation of permanent-looking signs asking the public to excuse the inconvenience while the airport is being improved. The airport air smells of musty tropical rot, and it's filled with the sounds of various languages - Spanish predominantly, but also English, Creole, German, French, Italian, and perhaps most distinct of all, Cruise Ship Passenger. (Chapter 11)

Monica was glad Walter was married, so she didn't have to go into any of the other reasons she didn't want to get involved with him, such as the fact that he had the intellectual depth of mayonnaise. (Chapter 7)

After the door closed behind them, there was a moment of silence in the Jolly Jackal. Finally, John, sitting on the floor next to the briefcase containing ten thousand dollars in cash, said to Leo, Kakimi chertyami oni viigrali holodnuyu voinu? This translates roughly to: "How the hell did these people win the Cold War?" (Chapter 6)

Arthur, compelled by masculine instinct, leaned over and frowned at the contents of the case, exactly the way countless males have frowned at household appliances, plumbing, car engines, and all manner of other mechanical objects that they did not begin to understand. (Chapter 5)

Miami turned out to be a great market: It seemed as if everybody here wanted things that went bang. You had your professional drug-cartel muscle people, who needed guns that shot thousands of rounds per minute to compensate for the fact that their aim was terrible. You had your basic local criminals, who wanted guns that would scare the hell out of civilians; and your civilians, trying to keep up with your local criminals. You had your hunters, who, to judge from the rifles they bought, were after deer that traveled inside armored personnel carriers. You had your "collectors" and your "enthusiasts," who lived in three-thousand-dollar trailers furnished with seven-thousand-dollar grenade launchers. You had an endless stream of shady characters representing a bewildering variety of revolutionary, counterrevolutionary, counter-counterrevolutionary and counter-counter-counterrevolutionary movements all over the Caribbean and Central and South America, who almost always wanted guns on credit. (Chapter 5)