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It was not an unfamiliar sensation, but it was strange to feel it in the daytime. Mostly, it was a nighttime visitor, an ever-gentle gnawing at the back of the head that had to be always guarded against, lest its realization sweep forth with a cold familiar rush. It was the sudden startling glimpse over the edge—the realization that death is inevitable, that it happens to everyone, that it would happen to me too; that someday, someday, the all-important I (the center of the whole thing) would cease to exist. Would stop. Would end. Would no longer be. Nothing. Nobody. Finished. Death.

You aren’t really jumping through time, that’s the illusion; what you’re actually doing is leaving one timestream and jumping to—maybe even creating—another. The second one is identical to the one you just left, including all of the changes you made in it—up to the instant of your appearance. At that moment, simply by the fact of your existence in it, the second timestream becomes a different timestream. You are the difference.

Hypocrisy piled upon hypocrisy. Not only did I try to influence the course of their actions—but I dared to do it in the name of God—I tried to save their souls! I tried to save them from themselves!
Is that so horrible?
Ah, yes. It is the worst of all possible crimes.

So what happens when the camera is finally invented?
Handley let his breath escape in a whoosh. "The artists are out of jobs?"
"Wrong. The artist simply have to learn how to do things that the camera can't. The artist had to stop being a recorder and start being an interpreter. That's when expressionism was born."

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I wish I could change it all. I wish I could.
But I can’t.
Dammit.
Now I know what it’s like to have an indelible past—one that can’t be erased and changed at will. It’s frustrating. It’s maddening. And it makes me wish I had been more careful and thoughtful.