David Lynch Quotes

On Blue Velvet, I worked with a casting director, Johanna Ray. And we had all brought up Dennis Hopper. But everybody said, 'No, no; you can't work with Dennis. He's really in bad shape, and you'll have nothing but trouble.' So we continued looking for people. But one day, Dennis' agent called and said that Dennis was clean and sober and had already done another picture, and I could talk to that director to verify it. Then Dennis called and said, 'I have to play Frank, because I am Frank.' That thrilled me, and scared me.

Language is an evil thing, a very evil thing. And a force to be reckoned with.

It's better not to know so much about what things mean or how they might be interpreted or you'll be too afraid to let things keep happening.

Inside, we are ageless...and when we talk to ourselves, it's the same age of the person we were talking to when we were little. It's the body that is changing around that ageless center.

An idea is a thought. It's a thought that holds more than you think it does when you receive it. But in that first moment there is a spark. In a comic strip, if someone gets an idea, a lightbulb goes on. It happens in an instant, just as in life. It would be great if the entire film came all at once. But it comes, for me, in fragments. That first fragment is like the Rosetta stone. It's the piece of the puzzle that indicates the rest. It's a hopeful puzzle piece. In Blue Velvet, it was red lips, green lawns, and the song — Bobby Vinton's version of "Blue Velvet". The next thing was an ear lying in a field. And that was it. You fall in love with the first idea, that little tiny piece. And once you've got it, the rest will come in time.

The worst thing about this modern world is that people think you get killed on television with zero pain and zero blood. It must enter into kids' heads that it's not very messy to kill somebody, and it doesn't hurt that much. That's a real sickness to me. That's a real sick thing.

Being in darkness and confusion is interesting to me. But behind it you can rise out of that and see things the way the really are. That there is some sort of truth to the whole thing, if you could just get to that point where you could see it, and live it, and feel it … I think it is a long, long, way off. In the meantime there’s suffering and darkness and confusion and absurdities, and it’s people kind of going in circles. It’s fantastic. It’s like a strange carnival: it’s a lot of fun, but it’s a lot of pain.

In a Town like Twin Peaks noone is innocent

Bushnell helped a lot during those years, but, generally, being a teenager wasn’t that great for me. Being a teenager is so euphoric and thrilling, but it’s mixed with a kind of chain to jail, which is high school. It’s such a torment.

Absurdity is what I like most in life.

He whose happiness is within, whose contentment is within, whose light is all within, that yogi, being one with Brahman, attains eternal freedom in divine consciousness. BHAGAVAD-GITA

I was doing something that had become a pattern in my life, and I thought, Well I should go talk to a psychiatrist. When I got into the room, I asked him, 'Do you think that this process could, in any way, damage my creativity?', And he said ´Well, David, I have to be honest; it could´ And I shook his hand and left.

I like to remember things my own way. How I remembered them, not necessarily the way they happened.

It would be great if the entire film came all at once. But it comes, for me, in fragments... In Blue Velvet, it was red lips, green lawns, and the song — Bobby Vinton’s version of ‘Blue Velvet.’ The next thing was an ear lying in a field. And that was it.

When you finish anything, people want you to then talk about it. And I think it’s almost like a crime. A film or a painting – each thing is its own sort of language and it’s not right to try to say the same thing in words. The words are not there. The language of film, cinema, is the language it was put into, and the English language – it’s not going to translate. It’s going to lose.