Nigerian-born British poet and novelist (1959-)
Sir Ben Golden Emuobowho Okri OBE FRSL (born 15 March 1959) is a Nigerian poet and novelist.
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Things she had said started to come back to him. How she out-stared a snake in the backyard. How the soldiers would stop buses and commandeer a woman at the slightest whim. How one day, as she was daydreaming in the office, three male-spirits came in through the walls and, with their heads facing backwards, tried to force her to make love to them.
Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.
"The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight.
"I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself — for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land.
"The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast — the beast that is in the hero."
"The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods,
He saw the world in which black people always suffered and he didn’t like it. He saw a world in which human beings suffered so needlessly from Antipodes to Equator, and he didn’t like it either. He saw our people drowning in poverty, in famine, drought, in divisiveness and the blood of war. He saw our people always preyed upon by other powers, manipulated by the Western world, our history and achievements rigged out of existence.