The playwright George S. Kaufman remembered what he called the “greatest ‘line reversal’ of my lifetime.” He liked to drop in on Broadway shows he had directed to, as he put it, “just check on them and take out the ‘improvements.’ ” He was eternally grateful to have caught one performance when he heard an actor commit the gem. It ran: “Her breath would take your beauty away.” He kept the line framed on his desk ever afterward.

You can piss away valuable hours of your life reading Ayn Rand—her wretched appeal to the young, her wretched writing, her wretched person.
She was supposed to be on my show; I was kind of sorry she wasn’t, because I was kind of laying for her. I did not succumb, as a kid, to being enthused by Ayn Rand, and that sense of power, as every kid was at one time until they outgrew it. The old bag sent over a list of fifteen conditions for appearing with me, or for appearing with anyone, I guess. One of them was, “There will be no disagreeing with Ms. Rand’s philosophy.” […] I wrote at the bottom of the list, to be sent back to her, “There will be no Ms. Rand, either.”

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