American writer and literary critic (1809–1849)
Edgar Allan Poe, born Edgar Poe (January 19, 1809 – October 7, 1849) was an American author, a part of literary studies and was also considered by some peoples both the central and most major figure of the American Romanticism, and a part of the American literature. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. He is widely regarded as a central figure of Romanticism in the United States, and of American literature. Poe was one of the country's earliest practitioners of the short story, and considered to be the inventor of the detective fiction genre, as well as a significant contributor to the emerging genre of science fiction. Born in 1809 in Massachusetts, Poe was the son of American theatre actress Elizabeth Poe (mother) and David Poe, Jr. (father).
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Thy soul shall find itself alone
’Mid dark thoughts of the gray tombstone — Not one, of all the crowd, to pry
Into thine hour of secrecy.
Be silent in that solitude,
Which is not loneliness — for then
The spirits of the dead who stood
In life before thee are again
In death around thee — and their will
Shall overshadow thee: be still. [...]
I Dwelt alone
In a world of moan,
And my soul was a stagnant tide,
Till the fair and gentle Eulalie became my blushing bride-
Till the yellow-haired young Eulalie became my smiling bride
Ah, less-less bright
The stars of night
Than the eyes of the radiant girl!
And never a flake
That the vapor can make
With the moon-tints of purple and pearl,
Can vie with the modest Eulalie's most unregarded curl-
Can vie compare with the bright-eyed Eulalie's most humble and careless curl
Now Doubt-now Pain
Come never again,
For her soul gives me sigh for sigh,
And all day long
Shine, bright and strong,
Astarte within the sky,
While ever to her dear Eulalie upturns her matron eye-
While ever to her young Eulalie upturns her violet eye.
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I was forced to fall back upon the unsatisfactory conclusion, that while, beyond doubt, there are combinations of very simple natural objects which have the power of thus affecting us, still the analysis of this power lies among considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression.
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