The observer is a prince who, wearing a disguise, takes pleasure everywhere.

That eminently Parisian compromise between laziness and activity known as flanerie.

Americans are particularly ill-suited to be flaneurs. They are always driven by the urge towards self-improvement.

In New York you can tell by people's body language that no one cares what other people think of them, whereas in Paris everyone is judging everyone and the only people who have this American-style insouciance are the insane.

Reading books for pleasure, of course, is the greatest joy. No need to underline, press on, try out mentally summarizing or evaluating phrases. One is free to read as a child reads — no duties, no goals, no responsibilities, no clock ticking: pure rapture.

The novel is alive and thriving through various strategies of renovation. The merging of fiction and reality, of memoir and narrative, is one great current source of strength. The reimagining of the historical novel is a second. And the third is the admission of new voices previously unheard or slienced.

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I asked him what it was like to live in a monastery and meditate for a year. He said it was a waste of time, that he never meditated, and that the older monks were interested only in feeling up boys, playing cards, and telling fortunes, that they were a dirty, lazy, superstitious lot.