When we are young... we often experience things in the present with a nostalgia-in-advance, but we seldom guess what we will truly prize years from now.

"I was lucky to live in New York when it was dangerous and edgy and cheap enough to play host to young, penniless artists. That was the era of "coffee shops" as they were defined in New York — cheap restaurants open round the clock where you could eat for less than it would cost to cook at home. That was the era of ripped jeans and dirty T-shirts, when the kind of people who are impressed by material signs of success were not the people you wanted to know."

"Sometimes I have the feeling that we're in one room with two opposite doors and each of us holds the handle of one door, one of us flicks an eyelash and the other is already behind his door, and now the first one has but to utter a word ad immediately the second one has closed his door behind him and can no longer be seen. He's sure to open the door again for it's a room which perhaps one cannot leave. If only the first one were not precisely like the second, if he were calm, if he would only pretend not to look at the other, if he slowly set the room in order as though it were a room like any other; but instead he does exactly the same as the other at his door, sometimes even both are behind the doors and the the beautiful room is empty." Franz Kafka (in a letter to Milena Jesenska)

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"I'm sorry," Billy says, "but I felt it was too organized. I like ellipses and teeny jottings and spontaneous poems and particularly all those devices like long lists of melancholy things."

Love is a source of anxiety until it is source of boredom; only friendship feeds the spirit. Love raises great expectations in us that it never satisfies; the hopes based on friendship are milder and in the present, and they exist only because they've already been rewarded. Love is a script about just a few repeated themes we have a hard time following, though we make every effort to conform to its tone. Friendship is a permis de séjour that enables us to go anywhere and do anything exactly as our whims dictate.

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For the real movements of a life are gradual, then sudden; they resist becoming anecdotes, they pulse like quasars from long-dead stars to reach the vivid planet of the present, they drift like fog over the ship until the spread sails are merely panels of gray in grayer air and surround becomes object, as in those perceptual tests where figure and ground reverse, the kissing couple in profile turn into the outlines of the mortuary urn that holds their own ashes. Time wears down resolve — then suddenly violence, something irrevocable flashes out of nowhere, there are thrashing fins and roiled, blood-streaked water, death floats up on its side, eyes bulging.

For me a current lover has always been like whatever current book I'm writing - an obsessive project orienting all my thoughts.

If a writer has the desire to communicate by writing and be heard, then he necessarily cares about seeing it in print. I suppose it's the difference between masturbation and making love — the real writer wants to touch another person.

It was a grungy, dangerous, bankrupt city without normal services most of the time. The garbage piled up and stank during long strikes of the sanitation workers. A major blackout led to days and days of looting. We gay guys wore whistles around our necks so we could summon help from other gay men when we were attacked on the streets by gangs living in the projects between Greenwich Village and the West Side leather bars...The upside was that the city was inexpensive…

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