The idea that an afterlife had been invented to reassure people who couldn’t face the finality of death was no more plausible than the idea that the finality of death had been invented to reassure people who couldn’t face the nightmare of endless experience.

How nauseating, thought Nicholas, a Jew being sentimental on behalf of a Negro: you lucky fellows, you’ve got plenty o’ nuthin’, whereas we’re weighted down with all this international capital and these wretched Broadway musical hits.

The passage he was to read was from Revelations — or Obfuscations, as he preferred to call them. Reading it over on the train from Cambridge, he had felt a strange desire to build a time machine so that he could take the author a copy of Kant’s Critique of Pure Reason.

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Unless in fact he had a very dim memory of her and the photograph had blown on the tiny little ember of his connection with his granny, like a faint orange glow in a heap of soft grey ash, and for a moment he really could remember when he had sat on his granny’s lap and smiled at her and patted her wrinkly old face — his mother said he smiled at her and she was really pleased.

He marvelled again at the effect of projection: how hostile Henry had seemed to him when Patrick was hostile towards everyone; how considerate he seemed now that Patrick had no argument with him. What would it be like to stop projecting? Was it possible at all?