They kissed each other again and fell asleep. The patch of light on the ceiling now seemed to be assuming the shape of a terrified eye, staring unblinkingly at the pale, slumbering couple, who now reeked of crime under their sheets, and were dreaming that they could see blood raining down in big drops and turning into gold coins as they landed on the floor.
French novelist, journalist, playwright, and poet (1840–1902)
Émile Édouard Charles Antoine Zola (2 April 1840 – 29 September 1902) was a French novelist, playwright, journalist, the best-known practitioner of the literary school of naturalism, and an important contributor to the development of theatrical naturalism.
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"Cependant Quenu se rappelait une phrase de Charvet, cette fois, qui déclarait que "ces bourgeois empâtés, ces boutiquiers engraissés, prêtant leur soutien à un gouvernement d' indigestion générale, devaient êtres jetés les premiers au cloaque." C' était grâce à eux, grâce à leur égoïsme du ventre, que le despotisme s' imposait et rongeait une nation."
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It came down, once again, to the General Staff protecting itself, not wanting to admit its crime, an abomination that has been growing by the minute. In disbelief, people wondered who Commander Esterhazy's protectors were. First of all, behind the scenes, Lt. Colonel du Paty de Clam was the one who had concocted the whole story, who kept it going, tipping his hand with his outrageous methods. Next General de Boisdeffre, then General Gonse, and finally, General Billot himself were all pulled into the effort to get the Major acquitted, for acknowledging Dreyfus's innocence would make the War Office collapse under the weight of public contempt. And the astounding outcome of this appalling situation was that the one decent man involved, Lt. Colonel Picquart who, alone, had done his duty, was to become the victim, the one who got ridiculed and punished. O justice, what horrible despair grips our hearts? It was even claimed that he himself was the forger, that he had fabricated the letter-telegram in order to destroy Esterhazy . But, good God, why? To what end? Find me a motive. Was he, too, being paid off by the Jews? The best part of it is that Picquart was himself an anti-Semite. Yes! We have before us the ignoble spectacle of men who are sunken in debts and crimes being hailed as innocent, whereas the honor of a man whose life is spotless is being vilely attacked: A society that sinks to that level has fallen into decay.
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It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes — stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserve
His creation was a sort of new religion; the churches, gradually deserted by wavering faith, were replaced by his bazaar, in the minds of the idle women of Paris. Woman now came and spent her leisure time in his establishment, those shivering anxious hours which she had formerly passed in churches: a necessary consumption of nervous passion, an ever renewed struggle of the god of dress against the husband, an ever renewed worship of the body with the promise of future divine beauty.
Satin occupied a couple of rooms which a chemist had furnished for her in order to rescue her from the clutches of the police; but in little over a year she had broken the furniture, knocked in the chairs and dirtied the curtains in such a frenzy of filth and disorder that the two rooms looked as if they were inhabited by a pack of mad cats.
A silence fell at the mention of Gavard. They all looked at each other cautiously. As they were all rather short of breath by this time, it was the camembert they could smell. This cheese, with its gamy odour, had overpowered the milder smells of the marolles and the limbourg; its power was remarkable. Every now and then, however, a slight whiff, a flute-like note, came from the parmesan, while the bries came into play with their soft, musty smell, the gentle sound, so to speak, of a damp tambourine. The livarot launched into an overwhelming reprise, and the géromé kept up the symphony with a sustained high note.