Man, the two-fold creature, apprehends The two-fold manner, in and outwardly, And nothing in the world comes single to him. A mere itself, — cup, column, or candlestick, All patterns of what shall be in the Mount; The whole temporal show related royally, And build up to eterne significance Through the open arms of God.

Nay, if there's room for poets in the world
A little overgrown, (I think there is)
Their sole work is to represent the age,
Their age, not Charlemagne's, — this live, throbbing age,
That brawls, cheats, maddens, calculates, aspires,
And spends more passion, more heroic heat,
Betwixt the mirrors of its drawing-rooms,
Than Roland with his knights, at Roncesvalles.

The growing drama has outgrown such toys
Of simulated stature, face, and speech:
It also peradventure may outgrow
The simulation of the painted scene,
Boards, actors, prompters, gaslight, and costume,
And take for a worthier stage the soul itself,
Its shifting fancies and celestial lights,
With all its grand orchestral silences
To keep the pauses of its rhythmic sounds.

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Of writing many books there is no end; And I who have written much in prose and verse For others' uses, will write now for mine,—
Will write my story for my better self,
As when you paint your portrait for a friend,
Who keeps it in a drawer and looks at it
Long after he has ceased to love you, just
To hold together what he was and is.