Ernest Flagg Quotes

Refinement. While the possession of this quality is due, in the first instance, to education, it is also largely a matter of temperament.

4th. Savings in labor: (a) By the lowness of the walls... (b) in the use of unskilled labor in building walls, by backing the face stones with concrete, and placing the face stones in the forms dry without the use of mortar, except for pointing... (c) in the simplification of woodwork, especially in the hanging of windows and doors, and in the setting of trim... (d) in the application of hardware, chiefly on account of the kind of hinges used... (e) in the standardization of parts and the use of similar members... (f) by cutting about one-half the labor in the installation of plumbing drainage... and (g) by the greater use of machine and shop work, which the exposed structural members permit of.

In the human form, as nature tries to make it, every feature is useful and every feature is beautiful. Each member is perfectly adapted to the function it has to perform; nothing is superfluous, yet the whole and every part is supremely decorative.

The ridge-dormers are placed in pairs, at the very apex of the roof. They are opened and closed only once a year—in the spring and fall respectively; and are so arranged that no rain can enter. ...if the air in the room is warmer than the outer air, it must rise and escape through the ridge-dormers. ...If, during a heated spell, the lower windows and and doors are carefully kept shut, the air inside may be maintained several degrees cooler than the outer air. ...the coolest air of the twenty-four hours will find its way through them, taking the place of the warmer air which escapes. ...cooler air can be trapped in the house and held there during the day. ...hot air, being lighter, does not descend into cool air.

1st. Saving of time, trouble, and money in the preparation of plans by the module system, and the standardization of parts and methods.

When the true principles of design are forgotten; when, in art, the bizarre and novel is the aim rather than the beautiful; when complication and mystery take the place of what should be as simple and clear as the atmosphere, design runs amuck, and becomes so helplessly involved in difficulties that such manifestations as cubism, impressionism, futurism, and art nouveau shoe their ugly heads and pose as art.

There have always seemed to the writer sound reasons for using the module system in architectural design.

The most perfectly constructed object in nature, and also the most beautiful object in nature, is the human form as it approaches perfection. This, then, is the criterion of construction as it is of design. The study of its beauties is the veritable key to art...

Imagination... implies originality. It results in a reflection... of the working mind of the designer. ...Imagination may be called the dynamic force in art. ...It is the quality which distinguishes the artistic from the photographic representation of nature.

Unless he is prepared to try his new theories and processes on himself, as has been done here, there is little likelihood that he will ever see them applied, for he will find that, of all people, builders are most set in their ways and hardest to move from their accustomed ruts.

Certain combinations of dimensions produce harmonious results, but since the time of the ancient Greeks no system of design, consistently base on that knowledge, has been formulated.

From time to time a square has been opened here, a park there, a street cut through in one place or widened in another, but these improvements have been entirely local in their effect, and have failed to change the general appearance of the city. Even the greatest of all these changes, the laying out of Central Park, was unfortunate, to say the least, for it serves to aggravate one of the worst features of the original plan, viz., the failure to provide a central artery of communication worthy of the coming city.

The system of building, described in this work, is intended for repetition. It would hardly pay to adopt it in its entirety for a single house if the matter were to end there. Where the processes and apparatus is used, over and over again, great economy should result; but for a single building, the trouble and expense of introducing so many new or unusual features and methods, might well offset the benefits which should accrue under more favorable conditions. Standardization both of parts and workmanship plays a great part in the economies obtained and standardization implies quantity.

These houses are intended to have stone walls. ...The fact that a stone house is better in many ways than a wooden one, and also more economical in the long run has, for the most part, been overlooked... The conditions are... ripe for a change from wood to stone or other incombustible material, but it will doubtless come about slowly.

The Greeks designed by a modulus of fixed measure, and that modulus, for the Doric order, was the distance between centers of the triglyphs. ...The triglyphs stand in the frieze, at the corners of the building and at regular intervals at all sides of it; between then are panels, called metopæ, which are always square. The distance between the triglyphs, therefore, determines the height of the frieze. The height of the frieze determines that of the architrave, which is the same. The distance between the triglyphs also determines the spacing of the columns, for except at the corners of the building the center of each column coincides with that of every second triglyph. Upon the spacing of the triglyphs, therefore, depend absolutely the proportions of plan and order. That spacing constitutes a fixed modulus for the entire design which never varies in its application and is, in fact, the harmonic scale of the monument.