Eugène Delacroix Quotes

We are told that Shakespeare's plays were generally performed in barns and that no great trouble was taken over the production. The constant changes of scene which, incidentally, seem the sign of a decadent art rather than one which is progressing, were shown by placards with the inscription: "A Forest," "A Prison," and so on. Within this conventional setting the onlooker's imagination was free to follow the actions of the various characters who were animated by passions drawn from nature, and that was enough for him. So-called innovations are gratefully seized on as an excuse for poverty of invention and in the same way, the long descriptive passages that so overburden modern novels are a sign of sterility, for it is obviously easier to describe a dress or the outward appearance of an object than to trace the subtle development of a character or portray the emotions of the heart.

It is one of the saddest things in life that we can never be completely known and understood by any one man. (9 June 1823)

Is it not very clear that progress, that is to say, the onward march of all things, good as well as evil, has brought our civilization to the brink of an abyss into which it may possibly fall, giving place to utter barbarism? And the reason for this…is it not to be found in the law that dominates all others here below, the need for change in some form or other? We must change. (Monday 23 April 1849)

Fine works of art would never become dated if they contained nothing but genuine feeling. The language of the emotions and the impulses of the human heart never change (26 March 1854).

What moves those of genius, what inspires their work, is not new ideas, but their obsession with the idea that what has already been said is still not enough.

Authorities are the ruination of great talents, and form almost the entire talent of mediocrities. They are the leading strings with which everyone learns to walk at the beginning of their careers, but they almost always leave a permanent mark. People like Ingres never get them out of their systems and never take a step without invoking their help. It is as though they wished to eat bread and milk all their lives (Monday 10th October 1853)

Well! A general invasion: Hamlet rears his hideous head, Othello is preparing his dagger, that essentially murderous weapon, subversive of all good theatrical government. What more, who knows.. .King Lear is to tear his eyes before a French audience. It should be a point of dignity for the Academy to declare that all imports of this kind are incompatible with public morals. Farewell good taste! In any case, equip yourself with a stout coat of mail under your evening dress. Beware of the Classicist's daggers, or rather, sacrifice yourself valiantly for our barbarian pleasure..

One should always be desiring or hoping for something. When one can hope for that which one desires, one enjoys the greatest happiness of which our thinking apparatus is capable. To obtain what one has been desiring is the first step to the depths of sadness and even pain, from which one can never emerge. The sea still enchants me; I linger for three or four hours at a time on the jetty or at the edge of the cliffs. Impossible to tear oneself away. If I could lead such a life for a certain time, coupling it with some interesting occupation, I should enjoy excellent health.

For his contemporaries, Racine was a romantic, but for every age he is classical, that is to say, he is faultless.

The landscape [in the painting 'The Bathers', 1853, by Courbet ] is of an extraordinary vigor, but Courbet has done no more than enlarge a study exhibited there, near his large canvas; the conclusion is that the figures [the two bathers in the painting] were put in afterwards and without connection with their surroundings. This brings up the question of harmony between the accessories and the principal object, a thing lacking in the majority of great painters, [15 April 1853]

…the outcome of my days is always the same; an infinite desire for what one never gets; a void one cannot fill; an utter yearning to produce in all ways, to battle against time that drags us along, and the distractions that throw a veil over our soul…….one works not only to produce art but to give value to time…. — Eugène Delacroix (1798 -1863)

Of late, men seem to have been possessed by an incomprehensible impulse to strip themselves of everything with which nature has endowed them in order to make them superior to the beasts of burden. A philosopher is a gentleman who sits down four times a day to the best meals he can possibly obtain, and who considers that virtue, glory and noble sentiments should be indulged in only when they do not interfere with those four indispensable functions and all the rest of his little personal comforts. At this rate, a mule is a better philosopher by far, because in addition to all this he puts up with blows and hardship without complaint.

Men of genius are made not by new ideas, but by an idea which possesses them, namely, that what has been said has not yet been sufficiently said.

I must not feel bound to ignore something today because I rejected it in the past. Books that seem to contain nothing worthwhile when I first read them may have much to teach when read by eyes of more mature experience. (Tuesday 8th October 1822)

I have started work on a modern subject, a scene on the barricades.. .I may not have fought for my country but at least I shall have painted for her.. [quote is referring to his famous painting 'Liberty Leading the People', 1830]