PREMIUM FEATURE
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We should observe the place, the occasion, the temper in which we find the person who listens to us, for if there is much art in speaking to the purpose, there is no less in knowing when to be silent. There is an eloquent silence which serves to approve or to condemn, there is a silence of discretion and of respect. In a word, there is a tone, an air, a manner, which renders everything in conversation agreeable or disagreeable, refined or vulgar.

We are sure to displease when we speak too long and too often of one subject, and when we try to turn the conversation upon subjects that we think more instructive than others, we should enter indifferently upon every subject that is agreeable to others, stopping where they wish, and avoiding all they do not agree with.