A vida é cruel por ter inventado a memória. Como os velhos que recobram em matizes suas lembranças mais antigas, à beira da morte minha memória gravita em torno do sol, e como ele clareia tudo! Tudo é presente, nada está perdido. É como uma força oculta que nos impele para nos estimular de novo: diante da evidência de que não mais haverá futuro, o passado se amplifica, suas raízes engrossam, tudo em mim é rizosfera, as cores se cristalizam sobre cada estrato, a mais insignificante imagem toca o seu absoluto, o coração bate em crescendo.

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I was already interested in painting when I was about twelve. I was about fifteen when I began to draw. I have the first drawing, a self-portrait that I did in 1925 [in fact she did this self-portrait in 1927 and gave it to a grade-school friend and wrote above her drawn head: 'Here I am sending you my portrait, so you will remember me'] I began to paint after the [bus] accident, I made the self-portrait with the clouds and the portraits of Adriana Kahlo, Lira, Alicia Galant, Christina Kahlo and Agustin Olmedo. All, more or less, are from the same period. With the last ones, I was wearing the cast corset [because of her injury by the bus accident in 1925 with her boy-friend Gomez Arias]. I would get out of the bed and paint at night. (1950)

His [Diego Rivera's] supposed mythomania is in direct relation to his tremendous imagination. That is to say, he is as much of a liar as the poets or as the children who have not yet been turned into idiots by school or mothers. I have heard him tell all kinds of lies: from the most innocent, to the most complicated stories about people whom his imagination combined in a fantastic situation or actions, always with a great sense of humor and a marvelous critical sense; but I have never heard him say a single stupid or banal lie. Lying, or playing at lying, he unmasks many people, he learns the interior mechanism of others, who are much more ingenuously liars than he, and the most curious thing about the supposed lies of Diego, is that in the long and short of it, those who are involved in the imaginary combination become angry, not because of the lie, but because of the truth contained in the lie, that always comes to the surface.

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I first met Diego [who became later her husband] while he was painting the amphitheater [at the Escuela National Preparatoria, where Rivera was painting the mural 'La Créación', 1922 -1923] and I would really cherish going to see him paint. Orozco [famous Mexican painter] was also painting [murals] in the Prepa, and I remember one time a group of kids wanted to scratch the paintings of Diego and Orozco.. .Every day we went for ice cream at a stand opposite the law school.. .Sometimes Diego himself would pass by, and we would tease him. One day they asked me who I wanted to marry, and I said I would not marry, but I did want to have a child by Diego Rivera. – (27 October 1950)