The play is independent of the pages on which it is printed, and 'pure geometries' are independent of lecture rooms, [rough blackboard drawings] or of any other detail of the physical world.
This is the point of view of a pure mathematician. Applied mathematicians, mathematical physicists... take a different view... preoccupied with the physical world itself, which also has its structure or pattern. ...We may be able to trace a ...resemblance between the two sets of relations, and then the pure geometry will become interesting to physicists; it will give us ...a map which 'fits the facts' ...The geometer offers ...a whole set of maps from which to choose.
British mathematician (1877–1947)
Godfrey Harold Hardy FRS (7 February 1877 – 1 December 1947) was an English mathematician, known for his achievements in number theory and mathematical analysis. In biology, he is known for the Hardy–Weinberg principle, a basic principle of population genetics. Hardy is usually known by those outside the field of mathematics for his 1940 essay A Mathematician's Apology, often considered one of the best insights into the mind of a working mathematician written for the layperson. He had a long collaboration with John Edensor Littlewood, and he discovered and supported the work of Srinivasa Ramanujan.
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...there is probably less difference between the positions of a mathematician and of a physicist than is generally supposed, [...] the mathematician is in much more direct contact with reality. This may seem a paradox, since it is the physicist who deals with the subject-matter usually described as 'real', but [...] [a physicist] is trying to correlate the incoherent body of crude fact confronting him with some definite and orderly scheme of abstract relations, the kind of scheme he can borrow only from mathematics.
He could remember the idiosyncrasies of numbers in an almost uncanny way. It was Littlewood who said that every positive integer was one of Ramanujan's personal friends. I remember once going to see him when he was ill at Putney. I had ridden in taxi cab number 1729 and remarked that the number seemed to me rather a dull one, and that I hoped it was not an unfavorable omen. "No," he replied, "it is a very interesting number; it is the smallest number expressible as the sum of two cubes in two different ways."
A painter makes patterns with shapes and colours, a poet with words. A painting may embody an ‘idea’, but the idea is usually commonplace and unimportant. In poetry, ideas count for a good deal more; but, [...] the importance of ideas in poetry is habitually exaggerated: '... Poetry is not the thing said but a way of saying it.' [In poetry,] the poverty of the ideas seems hardly to affect the beauty of the verbal pattern.
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[A] good deal of elementary mathematics... 'elementary' in the sense in which professional mathematicians use it... [e.g.,] knowledge of the differential and integral calculus—has considerable practical utility. These... are... rather dull... the parts which have least aesthetic value. The 'real' mathematics of the 'real' mathematicians... of Fermat and Euler and Gauss and Abel and Riemann, is almost wholly 'useless' (...as true of 'applied' as of 'pure' mathematics). It is not possible to justify the life of any genuine professional mathematician on the ground of... 'utility'...
A chess problem is genuine mathematics, but it is in some way 'trivial' mathematics. However ingenious and intricate, however original and surprising the moves, there is something essential lacking. Chess problems are unimportant. The best mathematics is serious as well as beautiful – important if you like, but the word is very ambiguous, and 'serious' expresses what I mean much better.