In pursuing the wraith that was Paul Curtis, I more than ever was aware that what lives after a shooting man is what has been published of his writings. Memories of the man grow dim and not too rarely become confused […] almost but not quite capturing for me a presence that surfaced like a zither theme in a suspense movie.

The gunner tends to live with Death without giving thought to dying, the shot heard so deeply it is not heard at all. The gunner is the grouse while the grouse is living; he dies a little when the grouse is dead. They have that in common, the bird and he, and he had better know if he is worthy to terminate that glorious life. It is a responsibility not easy to face, yet he doesn't dare not face it.

Some men dream of wealth and power. I tell of days. Of woods taking me where they wanted to go, hawthorns scarlet with October, the lacy loveliness of hemlocks, old lanes gold with Autumn, fall colors like stained glass showing through the leaded lines of black branches, each tree a love, each leaf a now, the dry-bone look of maple twigs in winter, the silent snow. For more than seventy Indian summers I have begged each one not to go, even as I spoke, the leaves showered down around me.

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Seventh and Ninth generation Old Hemlocks, I see in them all of those ancestors, not just the bloodline and shape of the skull, but the character, the way they feel. […] They are all in my heart, not gone to some vague afterland to enjoy a happier life, for they were happiest with me. If I could have l kept one of them with me for all Time, it would have meant missing all the others.

To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse.

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Grouse shooting is what it is for you, not for someone in some fabulous faraway place. Grouse gunning can be either a game of numbers or identification with a live bird somewhere ahead. It can be a mindless urge to wipe out a string of birds, or it can be the instant when one bird and the dog and the gun exist in unity.

Quality grouse shooting cannot be evaluated by numbers any more than diamonds can be measured by the pound. It is not a process but a reflection – a reflection in the gunner from the dog he shoots over and the gun he carries, and above all a feedback from the grouse. When these things happen well, looking back at end of day is to be as content as it is given a man to feel. It has been my past, it is my life and my hereafter, like these mountains endless in their splendor.

The child tells what he got for Christmas, the mature man tells how he spent the day; the immature hunter tells how many birds he shot, the mature gunner tells of the experience. If I can impart a sense of gunning values through my writing, I urge the gunner at any age to lift himself above the childish state of mind, thinking only of himself and not what he is doing to the birds.

A gun, no matter how rare, a dog, no matter how brilliant, cannot mean fulfillment without keenness in the man. It takes the sportsman’s edge honed fine, an “eye,” a sense of what is good, the ear for what is right – the heart. There is something about the wilderness, something in the blood that draws nourishment from the game.

A gunner owes consideration to the birds and to the land itself. He usually does not own the deed, but in a strange way he possesses a grouse covert as he is possessed by it, holding special title to that particular corner of this earth, a carry-over from the age when man discovered wild land and made it his.

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When you are very young, you tend to accept standards for such momentous judgments as to whether a girl is beautiful; when you reach the age of experience you come to know beauty in the sense that “knowing” is to possess. Beauty does more than reflect light, it is the action of energy on form, glowing as a total function. This is singularly true of a grouse dog in his consecration to his bird.