Women are sewers just like we are, the once pure boys recognize with a start; it’s raw sewage that produces fertilization; once you understand that you can be fond of yourself and members of the Opposite Sex, but you can never quite see them again as ice cream bars. I, the author, don’t really mind this, for I love all girls and love to hug and kiss them and cheer them up when they cry, and have them perform all the same services for me; and a woman’s saliva is certainly a miracle, think of all those enzymes and germs; and if I took and wrote the chemicals down on a sheet of paper, all COOOHs and sighs, it would look pretty, just like a face all pretty, like the dear round moon-face of her who loves you or the creamy-freckled skin and blue eyes and heavenly hair of that Irish beauty back in college, so don’t think I’m complaining.
Novelist, short story writer, essayist
William Tanner Vollmann (born July 28, 1959) is an American novelist, journalist, war correspondent, short story writer, and essayist. He won the 2005 National Book Award for Fiction with the novel Europe Central.
Vollmann was born in Los Angeles and lived there for five years. He attended public high school in Bloomington, Indiana, and has also lived in New Hampshire, New York, and the San Francisco Bay Area. His father was Thomas E. Vollmann, a business professor at Indiana University. When he was nine years old, Vollmann's six-year-old sister drowned in a pond while under his supervision, and he felt responsible for her death. According to him, this loss has influenced much of his work.
From: Wikipedia (CC BY-SA 4.0)
Alternative Names:
William Tanner Vollmann
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It is the occupation of politicians to deny this ubiquity, nay, universality of corroded hearts, to discount the barren laboriousness of all paths. Reduce corporate taxes, they say, or redistribute the wealth of the parasitic class to the desperate class, and then all who matter can cross the Jordan together and enter into a new land of happiness whose prior inhabitants will dissolve into sea-colored ghosts of dust.
... as he walked up past the red and green tennis courts in east Berkeley and saw the swing of the women's hair in the breeze, the crisp strokes that sent the ball over the net like a little bone-white planetoid, it occurred to him that there was still a last chance for a pair of heavenly arms to reach out to him and save him.
He was really quite addicted to her face, and yet for the longest time he could not remember it at all, it being so much brighter than sunlight on a pool of water that he could only recall that blinding brightness; then after awhile, since she refused to give him her photograph, he began to practice looking away for a moment when he was still with her, striving to uphold in his inner vision what he had just seen (her pale, serious, smooth and slender face, oh, her dark hair, her dark hair), so that after immense effort he began to retain something of her likeness although the likeness was necessarily softened by his fallibility into a grainy, washed-out photograph of some bygone court beauty, the hair a solid mass of black except for parallel streaks of sunlight as distinct as the tines of a comb, the hand-tinted costume sweetly faded, the eyes looking sadly, gently through him, the entire image cob-webbed by a sheet of semitranslucent Thai paper whose white fibers twisted in the lacquered space between her and him like gorgeous worms; in other words, she remained eternally elsewhere.