Thus the tragedy of Venus: Everybody wants her, and so our goddess has become prey. - William T. Vollmann

It is the occupation of politicians to deny this ubiquity, nay, universality of corroded hearts, to discount the barren laboriousness of all paths. Reduce corporate taxes, they say, or redistribute the wealth of the parasitic class to the desperate class, and then all who matter can cross the Jordan together and enter into a new land of happiness whose prior inhabitants will dissolve into sea-colored ghosts of dust.

Women are sewers just like we are, the once pure boys recognize with a start; it’s raw sewage that produces fertilization; once you understand that you can be fond of yourself and members of the Opposite Sex, but you can never quite see them again as ice cream bars. I, the author, don’t really mind this, for I love all girls and love to hug and kiss them and cheer them up when they cry, and have them perform all the same services for me; and a woman’s saliva is certainly a miracle, think of all those enzymes and germs; and if I took and wrote the chemicals down on a sheet of paper, all COOOHs and sighs, it would look pretty, just like a face all pretty, like the dear round moon-face of her who loves you or the creamy-freckled skin and blue eyes and heavenly hair of that Irish beauty back in college, so don’t think I’m complaining.

Great art projects a sense of inexhaustibility. In literature, particularly in poetry, this may be accomplished through ambiguity: Beneath each and every meaning that I can descry lie others, so that rereading holds out the prospect of new subtleties, inversions, secret codes and ineffabilities