George Grosz Quotes

Árt is dead. Long live Tatlin's new machine art.

My Drawings expressed my despair, hate and disillusionment, I drew drunkards; puking men; men with clenched fists cursing at the moon ... I drew a man, face filled with fright, washing blood from his hands ... I drew lonely little men fleeing madly through empty streets. I drew a cross-section of tenement house: through one window could be seen a man attacking his wife; through another, two people making love; from a third hung a suicide with body covered by swarming flies. I drew soldiers without noses; war cripples with crustacean-like steel arms; two medical soldiers putting a violent infantryman into a strait-jacket made of a horse blanket ... I drew a skeleton dressed as a recruit being examined for military duty. I also wrote poetry.

Day after day gasped away, slowly seep hours when fettered or immured, only at times does imagination scale the palisades that the spirit of chaos and confusion, the spirit of reactionary bombast, has set up around us - dreams, dreams of endless, destructive hate! Mists of hate, beclouding the burning brain!

A composition should be simple and clear. That is why the drawings of children and primitives are so strong.

A great deal that had become frozen within me in Germany melted here in America and I rediscovered my old yearning for painting. I carefully and deliberately destroyed a part of my past.

Yes, [to] the Communist party! [the presiding judge asked Grosz: 'Do you belong to a political party?']

Art today is an absolutely secondary matter. Anyone who is able to look further than the walls of his own studio can see this.. .All the same, art is a business that demands a very clear decision from anyone who undertakes it. It is not immaterial where you stand in this business.. .Are you on the side of the exploiters or on that of the masses, who want to wring the exploiters' necks?

I see the future development of painting taking place in workshops.. ..not in any holy temple of the arts. Painting is manual labor, no different from any other. It can be done well or poorly.

I am lonely without measure; that is to say, I am alone with my doubles, phantasms in whom I realize specific dreams, ideas, inclinations, and so on. I rip three other people out of my inner life, give them names, and believe in them myself. Gradually three clearly defined types have emerged: *1: Grosz. *2: Count Ehrenfried, the nonchalant aristocrat with the well-manicured fingernails, concerned only with cultivating himself; in a word, the detached, aristocratic individualist. *3: The physician. Dr. William King Thomas, the more American, practical counterweight to Grosz the mother figure.