English poet (1844–1889)
Gerard Manley Hopkins (28 July 1844 – 8 June 1889) was a Jesuit priest and English poet whose posthumous, 20th-century fame established him among the finest Victorian poets. His experimental explorations in prosody (especially in regard to sprung rhythm) and his vibrant use of imagery established him as both an original and daring innovator in a period of largely traditional verse.
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For I think it is the case with genius that it is not when quiescent so very much above mediocrity as the difference between the two might lead us to think, but that it has the power and privilege of rising from that level to a height utterly far from mediocrity: in other words that its greatness is that it can be so great.
The world is charged with the grandeur of God.
It will flame out, like shining from shook foil;
It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
And all is seared with trade; bleared, smeared with toil;
And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.
And for all this, nature is never spent;
There lives the dearest freshness deep down things;
And though the last lights off the black West went
Oh, morning, at the brown brink eastward, springs — Because the Holy Ghost over the bent
World broods with warm breast and with ah! bright wings.
I am soft sift 25 In an hourglass — at the wall Fast, but mined with a motion, a drift, And it crowds and it combs to the fall; I steady as a water in a well, to a poise, to a pane, But roped with, always, all the way down from the tall 30 Fells or flanks of the voel, a vein Of the gospel proffer, a pressure, a principle, Christ’s gift.
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