Chinese-Singaporean actress
Gong Li (Chinese: 巩俐) (born 31 December 1965) is a Chinese actress. She starred in three of the four Chinese-language films that were nominated for the Academy Award for Best International Feature Film. Gong was head of jury at the 2000 Berlin Film Festival and the 2002 Venice Film Festival, the first Asian to hold such position at both events. Throughout her career, Gong has won three Hundred Flowers Awards, two Golden Rooster Awards, a Hong Kong Film Award, and honorary awards at the Berlin and Cannes film festivals. She was appointed a Commander (Commandeur) of the Ordre des Arts et des Lettres by the government of France in 2010.
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Gong Li is best celebrated among those born during the 1980s. In the 1990s and early 2000s, she won a major award almost every year. She is a driven, determined woman (self-described as “stubborn”) who has overcome many obstacles to get where she is today, and still takes her craft seriously despite her many laurels. In an industry where older women are often pushed out, Gong Li earned the title “most beautiful woman” in 2006, at age 40.
I guess my personality is that of a modern, strong Chinese woman. I don't believe in destiny. There are many things that can be changed. I don't like to be defeated by difficulties. I love freedom so when I am shaping a character, I usually do it the way I want. I always find some part of my own character in a role.
Of course in terms of dialogue, there is a language difference, and this does make a difference. When I speak in English, my expressions become different. My attitude too. I'm not sure why, but there really is a difference. My hands move differently when I speak English. But in terms of performance, it's not that different. It won't be that because I'm in a foreign film that my approach is different. My training allowed me to make contact with a number of different possibilities. Four years in college let me work with excellent teachers who gave me a good foundation.
Some Hollywood film-makers have asked me to play an Asian beauty but a good script is all that matters. Does it blend in well with you to create a chemistry? Or are you just a pretty face who runs around in the film, playing a role in which nobody cares if you live or die? If so, it’s meaningless even if it is a box-office success.
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