I loved IRON MAN: Robert Downey Jr. has been and probably will be my favourite actor for a long time…but IRON MAN, THE INCREDIBLE HULK, SUPERMAN RETURNS and all the others feel a little like Saturday morning cartoons next to the carbon black glory that is 'The Dark Knight.'

Trust me, *this* is the future of this sort of thing.

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My art school rejection letter arrived as a cold manila fist that closed around my fragile hopes [...] The fear was practically edible. Nothing would happen unless I get out and make it happen.

Then, as if handing me the keys to the jet pack, my dad bought me a typewriter and a taped message to the inside of its case: 'Son- the world is waiting to hear from you'.

"Money is a ghost haunting the world."

"Ontological terrorism"

"Sounds like somebody's had a good old rattle at the bars of your cage. What's up?"

"They're all the same, these macho men. Show them a cock in a frock and they're in there like the SAS."

We're the new power, come to replace the old. Cameras in the head, children with microchips, spin doctors rewriting reality as it happens.

As adults we’re all balanced on the frail shoulders of the infants and tweens we once were, wobbling on their epaulets to reach the lofty vantage points of middle age, blinking above the tree line as we wonder if the physical effort was worth it for the cheerless panorama.

People say kids can't understand the difference between fact and fiction, but that's bullshit. Kids understand that real crabs don't sing like the ones in The Little Mermaid. But you give an adult fiction, and the adult starts asking really fucking dumb questions like 'How does Superman fly? How do those eyebeams work? Who pumps the Batmobile’s tires? It's a fucking made-up story, you idiot! Nobody pumps the tires! Grant Morrison: Psychedelic Superhero, 2011

(On DC: One Million) I just read it again and liked it a lot. Comics were definitely happier, breezier and more confident in their own strengths before Hollywood and the Internet turned the business of writing superhero stories into the production of low budget storyboards or, worse, into conformist, fruitless attempts to impress or entertain a small group of people who appear to hate comics and their creators.

Somewhere in our Darkest Nights we made up a story about a Man who will never let us down.

I take to patrolling the corridors between the hours of three and four in the morning. I visit the secret room often in order that I might keep my journal up to date. Routine is important, I think. A good routine diverts the mind from morbid imaginings. Sometimes I am sure I hear hysterical laughter from a cell I know to be empty.

I tape over the mirror in my study. The laughter ceases.

And I return to my ritual perambulations. My movements through the house have become as formalized as ballet and I feel that I have become an essential part of some incomprehensible biological process. The house is an organism, hungry for madness. It is the maze that dreams. And I am lost.

"...A thought robot activated by the tremendous energies unleashed during collisions of fundamental opposing qualities. A new fusion process powered by... 'dualites'? No. There are no dualities. Only symmetries." Final Crisis: Superman Beyond