I say I became habituated to the Beast People, that a thousand things which had seemed unnatural and repulsive speedily became natural and ordinary to me. I suppose everything in existence takes its colour from the average hue of our surroundings. Montgomery and Moreau were too peculiar and individual to keep my general impressions of humanity well defined. I would see one of the clumsy bovine-creatures who worked the launch, treading heavily through the undergrowth, and find myself asking, trying hard to recall, how he differed from some really human yokel trudging home from his mechanical labours; or I would meet the Fox-Bear Woman's vulpine, shifty face, strangely human in its speculative cunning, and even imagine I had met it before in some city byway.
English writer (1866–1946)
Herbert George Wells (September 21 1866 – August 13 1946) was a British writer most famous for his science fiction novels such as The War of the Worlds, The Invisible Man and The Time Machine; also for Kipps, The History of Mr. Polly and other social satires.
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They were all intensely excited, and all overflowing with noisy expressions of their loyalty to the Law. Yet I felt an absolute assurance in my own mind that the Hyena-Swine was implicated in the rabbit-killing. A strange persuasion came upon me that, save for the grossness of the line, save for the grotesqueness of the forms, I had here before me the whole balance of human life in miniature, the whole interplay of instinct, reason, and fate in its simplest form.
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Then I am a religious man, Prendick, as every sane man must be. It may be, I fancy, that I have seen more of the ways of this world's Maker than you — for I have sought his laws, in my way, all my life, while you, I understand, have been collecting butterflies. And I tell you, pleasure and pain have nothing to do with heaven or hell. Pleasure and pain — bah! What is your theologian's ecstasy but Mahomet's houri in the dark? This store which men and women set on pleasure and pain, Prendick, is the mark of the beast upon them, the mark of the beast from which they came! Pain, pain and pleasure, they are for us only so long as we wriggle in the dust.
You see, I went on with this research just the way it led me. That is the only way I ever heard of true research going. I asked a question, devised some method of obtaining an answer, and got — a fresh question. Was this possible or that possible? You cannot imagine what this means to an investigator, what an intellectual passion grows upon him! You cannot imagine the strange, colourless delight of these intellectual desires!
No one would have believed in the last years of the nineteenth century that this world was being watched keenly and closely by intelligences greater than man's and yet as mortal as his own; that as men busied themselves about their various concerns they were scrutinised and studied, perhaps almost as narrowly as a man with a microscope might scrutinise the transient creatures that swarm and multiply in a drop of water. With infinite complacency men went to and fro over this globe about their little affairs, serene in their assurance of their empire over matter. It is possible that the infusoria under the microscope do the same ... Yet, across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.
And here one may note a curious comparison which can be made between this [ascidian] life-history and that of many a respectable pinnacle and gargoyle on the social fabric. Every respectable citizen of the professional classes passes through a period of activity and imagination, of "liveliness and eccentricity," of "Sturm und Drang." He shocks his aunts. Presently, however, he realizes the sober aspect of things. He becomes dull; he enters a profession; suckers appear on his head; and he studies. Finally, by virtue of these he settles down—he marries. All his wild ambitions and subtle æsthetic perceptions atrophy as needless in the presence of calm domesticity. He secretes a house, or "establishment," round himself, of inorganic and servile material. His Bohemian tail is discarded. Henceforth his life is a passive receptivity to what chance and the drift of his profession bring along; he lives an almost entirely vegetative excrescence on the side of a street, and in the tranquillity of his calling finds that colourless contentment that replaces happiness.
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It may be that we exist and cease to exist in alternations, like the minute dots in some forms of toned printing or the succession of pictures on a cinema film. It may be that reality is an illusion of movement in an eternal, static, multidimensional universe. We may be only a story written on the ground of the inconceivable; the pattern on a rug beneath the feet of the incomprehensible.
I had to act with the utmost circumspection to save myself from the suspicion of insanity. My memory of the Law, of the two dead sailors, of the ambuscades of the darkness, of the body in the canebrake, haunted me; and, unnatural as it seems, with my return to mankind came, instead of that confidence and sympathy I had expected, a strange enhancement of the uncertainty and dread I had experienced during my stay upon the island. No one would believe me; I was almost as queer to men as I had been to the Beast People. I may have caught something of the natural wildness of my companions. They say that terror is a disease, and anyhow I can witness that for several years now a restless fear has dwelt in my mind, such a restless fear as a half-tamed lion cub may feel.