Harry Belafonte Quotes

I work for the United Nations. I go to places where enormous upheaval and pain and anguish exist. And a lot of it exists based upon American policy. Whom we support, whom we support as heads of state, what countries we've helped to overthrow, what leaders we've helped to diminish because they did not fit the mold we think they should fit, no matter how ill advised that thought may be.

When I was 40 and looking at 60, it seemed like a thousand miles away. But 62 feels like a week and a half away from 80. I must now get on with those things I always talked about doing but put off.

To reach someone's soul, you have to have a social relationship. … You can't just sit down in the cold world of legal jargon and settle the nuances of racism and what it does to the social and cultural fabric. … The rich in America are so isolated that for Bobby to come into this intimate experience with its victims was a revelation. You could see in his face the anguish and consternation. It played away at his conscience and soul.

My social and political interests are part of my career. I cannot separate them. My songs reflect the human condition. The role of art isn't just to show life as it is, but to show life as it should be.

I don’t think that we are a species or a people that can exist without making mistakes somewhere along the line. Some make mistakes that are greater than others. But I do believe that we should have the courage and the ability to look at something that we did, even if in the first instance we believed it, when in the wake of the aftermath and the truth, you find out that that was not the case, to then say, 'Let me go back and examine what led me to this conclusion. What gods was I serving? What masters was I serving? What was it all about?' and then try to be more instructive to people who will listen to you.

I have very little regard for consensus if it blinds you to the truth.

I could have made $2bn or $3bn — and ended up with some very cruel addiction — but I chose to be a civil rights warrior instead.

When Hughes writes, in the first two lines of his poem, “Let America be America again/ Let it be the dream it used to be,” he acknowledges that America is primarily a dream, a hope, an aspiration, that may never be fully attainable, but that spurs us to be better, to be larger. He follows this with the repeated counterpoint, “America never was America to me,” and through the rest of this remarkable poem he alternates between the oppressed and the wronged of America, and the great dreams that they have for their country, that can never be extinguished.

In the face of all the inhumanity, their humanity feeds the capacity to endure and continue to pursue honorable solutions to our pain.

After all, Paul Robeson said, ‘Artists are the radical voice of civilization.’ Each and every one of you in this room, with your gifts and your power and your skills, could perhaps change the way in which our global humanity mistrusts itself. Perhaps we as artists and as visionaries, for what’s better in the human heart and the human soul, could influence citizens everywhere in the world to see the better side of who and what we are as a species.

When I was born, I was colored. I soon became a Negro. Not long after that, I was Black. Most recently, I was African American. It seems we’re on a roll here. But I am still first and foremost in search of freedom.

Even with all the difficulties and the frustrations that we feel—those of us who have been consistent in this journey—what makes it so remarkably attractive and encouraging are the men and women you meet on the way. I have met some glorious human beings: Eleanor Roosevelt, Fanny Lou Hamer, Ella Baker, and Dr. King, Malcolm X, Nelson Mandela and Che Guevara, and Cesar Chavez and others not quite so famous—they are the ones who really make the journey rewarding. The work I do with UNICEF. The men and women I’ve met in Rwanda, South Africa, working against HIV/AIDS, and the courageous things that simple, wonderful human beings do for each other.

When you grow up, son, never ever go to bed at night knowing that there was something you could have done during the day to strike a blow against injustice and you didn’t do it.

We still have wars and we still have poverty — as long as these things exist, there's always going to be something to do. But that cannot distract from the fact that we're on the way.

The sham engineers of the music industry, who steer the wheels of public opinion, are driving the good features of calypso into the ground. I shudder to think what these greedy men will eventually do to this true art form.