I reached out for something to attach myself to — and I found nothing. But in reaching out, in the effort to grasp, to attach myself, left high and dry as I was, I nevertheless found something I had not looked for — myself.

One's destination is never a place but rather a new way of looking things.

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Don’t look away. Look straight at everything. Look it all in the eye, good and bad.

I wanted a metamorphosis, a change to fish, to leviathan, to destroyer. I wanted the earth to open up, to swallow everything in one engulfing yawn. I wanted to see the city buried fathoms deep in the bosom of the sea. I wanted to sit in a cave and read by candlelight. I wanted that eye extinguished so that I might have a chance to know my own body, my own desires. I wanted to be alone for a thousand years in order to reflect on what I had seen and heard - and in order to forget.

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No one asks you to throw Mozart out of the window. Keep Mozart. Cherish him. Keep Moses too, and Buddha and Lao Tzu and Christ. Keep them in your heart. But make room for the others, the coming ones, the ones who are already scratching on the window-panes.

What I really hoped for, no doubt, was to come upon one of those lives which begin nowhere, which lead us through marshes and salt flats, trickling away, seemingly without plan, purpose or goal, and suddenly emerge, gushing like geysers, and never cease gushing, even in death.

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It was the end for me. And yet not an end. In all the years which have since elapsed she remains the woman I loved and lost, the unattainable one [...] I see myself forever and ever as the ridiculous man, the lonely soul, the wanderer, the restless frustrated artist, the man in love with love, always in search of the absolute, always seeking the unattainable. — Henry Miller, Stand Still like the Hummingbird (1962)

Voyages are accomplished inwardly.

There was one artist who wrote as beautifully as he painted. That was Hokusai - He speaks for all artists, whether they are painters or not. [He wrote]: "I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy three I have at last caught every aspect of nature-birds,fish,animals,insects,trees,grasses, all. When I am eighty I shall have developed still further. And I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life."