American novelist (1891–1980)
Henry Valentine Miller (26 December 1891 – 7 June 1980) was an American writer and artist. He was known for developing a new type of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism.
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In the literature of utter desolation there is always and only one symbol (which may be expressed mathematically as well as spiritually) about which everything turns: minus love. For life can be lived, and usually is lived, on the minus side rather than the plus. Men may strive forever, and hopelessly, once they have elected to rule love out. That high unfathomable ache of emptiness into which all creation might be poured and still it would be emptiness, this aching for God, as it has been called, what is it if not a description of the soul's loveless state?
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The Bible is full of miracles, and they have been accepted by thinking and unthinking individuals alike. But the miracle which every one is permitted to experience some time in his life, the miracle which demands no intervention, no intercessor, no supreme exertion of will, the miracle which is open to the fool and the coward as well as the hero and the saint, is love. Born of an instant, it lives eternally. If energy is imperishable, how much more so is love! Like energy, which is still a complete enigma, love is always there, always on tap. Man has never created an ounce of energy, nor did he create love. Love and energy have always been, always will be. Perhaps in essence they are one and the same. Why not? Perhaps this mysterious energy which is identified with the life of the universe, which is God in action, as some one has said, perhaps this secret, all-invasive force is but the manifestation of love.
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Often, when following the trail which meanders over the hills, I pull myself up in an effort to encompass the glory and the grandeur which envelops the whole horizon. Often, when the clouds pile up in the north and the sea is churned with white caps, I say to myself: "This is the California that men dreamed of years ago, this is the Pacific that Balboa looked out on from the Peak of Darien, this is the face of the earth as the Creator intended it to look."
Many is the mirage I chased. Always I was overreaching myself. The oftener I touched reality, the harder I bounced back to the world of illusion, which is the name for everyday life. 'Experience! More experience!' I clamored. In a frantic effort to arrive at some kind of order, some tentative working program, I would sit down quietly now and then and spend long, long hours mapping out a plan of procedure. Plans, such as architects and engineers sweat over, were never my forte. But I could always visualize my dreams in a cosmogonic pattern. Though I could never formulate a plot I could balance and weigh opposing forces, characters, situations, events, distribute them in a sort of heavenly lay-out, always with plenty of space between, always with the certitude that there is no end, only worlds within worlds ad infinitum, and that wherever one left off one had created a world, a world finite, total, complete.
A book lying idle on a shelf is wasted ammunition. Like money, books must be kept in constant circulation. Lend and borrow to the maximum—of both books and money! But especially books, for books represent infinitely more than money. A book is not only a friend. It makes friends for you. When you have possessed a book with mind and spirit, you are enriched. But when you pass it on you are enriched threefold.