Polish writer, novelist, journalist, philanthropist and Nobel Prize laureate (1846–1916)
A time will come when under changed circumstances she will recover her beauty. I thought of it to-day and at once asked myself what would be our relations towards each other in the future, and whether it would make any change. I am certain it will not. I know already how it feels to live without her, and shall not do anything which might make her cast me off.
If it be a great misfortune to love another man's wife, be she ever so commonplace, it is an infinitely greater misfortune to love a virtuous woman. There is something in my relations to Aniela of which I never heard or read; there is no getting out of it, no end. A solution, whether it be a calamity or the fulfilment of desire, is something, but this is only an enchanted circle. If she remain immovable and I do not cease loving her, it will be an everlasting torment, and nothing else. And I have the despairing conviction that neither of us will give way.
There is now resentment in my love. The thought is troubling my mind that she has a narrow heart, and that in this lies the secret of her unyieldingness. To-day, when I come to think it over more calmly, I go back to the conviction that she has some feeling for me, composed of gratitude, pity, and memories of the past; but it has no active power, cannot rise above prejudice, — even to the avowal of its existence. It does not respect itself, hides, is ashamed of itself, and in comparison with mine is as the mustard-seed to those Alps which surround us. From Aniela one may expect that she will restrict it rather than let it grow. It is of no use to hope or watch for anything from her; that conviction makes me very wretched.
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I felt within me a boundless wealth of this almost mystic love, and a belief that this earthly chrysalis would come forth in another world a butterfly, which, detached from all earthly conditions would soar from planet to planet, till it became united to the spirit of All-Life. For the first time the thought crossed my mind that Aniela and I may pass away as bodies, but our love will survive and even be our immortality. "Who knows," I thought, "whether this be not the only existing form of immortality?" — because I felt distinctly that there is something everlasting in my feeling, quite distinct from the ever changing phenomena of life.
I often think that Aniela does me a great wrong, not to say that she calls things by wrong names. She considers my love a mere earthly feeling, an infatuation of the senses. I do not deny that it is composed of various threads, but there are among them some as purely ideal as if spun of poetry. Very often my senses are lulled to sleep, and I love her as one loves only in early youth. Then the second self within me mocks, and says derisively: "I had no idea you could love like a schoolboy or a romanticist!" Yet such is the fact. I may be ridiculous, but I love her thus, and it is not an artificial feeling.
Aniela knew very well that her departure would be to me a more dangerous catastrophe than a wound on my head or the loss of an arm or leg; and yet she did not hesitate a moment. I was perfectly aware that it was all her doing. She wanted to be near her husband, and what would become of me was not taken into account.
Aniela knows perfectly that I live for her only, exist through her; that all my thoughts belong to her, my actions have only her in view; that she is to me an issue of life and death; and in spite of all that she calmly decides to go away. Whether I should perish or beat my head against the wall, she never so much as considered. She will be more at ease when she ceases to see me writhing like a beetle stuck on a pin; she will be no longer afraid of my kissing her feet furtively, or startling that virtuous conscience. How can she hesitate when such excellent peace can be got, at so small a price as cutting somebody's throat! Thoughts like these spun across my brain by thousands.
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I know from experience that to one who thinks much and feels deeply, it often seems that he has only to put down his thoughts and feelings in order to produce something altogether out of the common; yet as soon as he sets to work he falls into a certain mannerism of style and common phraseology; his thoughts do not come spontaneously, and one might almost say that it is not the mind that directs the pen, but the pen leads the mind into common, empty artificiality.
No God has promised me immortality; hence no surprise meets me. At the same time thou art mistaken, Vinicius, in asserting that only thy God teaches man to die calmly. No. Our world knew, before thou wert born, that when the last cup was drained, it was time to go, — time to rest, — and it knows yet how to do that with calmness. Plato declares that virtue is music, that the life of a sage is harmony. If that be true, I shall die as I have lived, — virtuously.
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