Nobel Prize winning German-Swiss poet, novelist and painter (1877–1962)
Hermann Karl Hesse (2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. In 1946, he received the Nobel Prize in Literature. His most famous works include Steppenwolf, Siddhartha, and The Glass Bead Game (also known as Magister Ludi) all of which explore an individual's search for spirituality.
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Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason and courted wonderful creations of sound, and wonderful beauties of feeling and mood that were never pressed home to reality, has left the greater part of its practical gifts to decay. None of us intellectuals is at home in reality. We are strange to it and hostile. That is why the part played by intellect even in our own German reality, in our history and politics and public opinion, has be so lamentable a one.
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For there is not a single human being, not even the primitive Negro, not even the idiot, who is so conveniently simple that his being can be explained as the sum of two or three principal elements; and to explain so complex a man as Harry by the artless division into wolf and man is a hopelessly childish attempt. Harry consists of a hundred or a thousand selves, not of two. His life oscillates, as everyone's does, not merely between two poles, such as the body and the spirit, the saint and the sinner, but between thousand and thousands.
I was very fond of many of my comrades and leaders, but not one of them subsequently occupied my thoughts as much as Leo, while at that time he was apparently hardly noticed. Leo was one of our servants (who were naturally volunteers, as we were). He helped to carry the luggage and was often assigned to the personal service of the Speaker. This unaffected man had something so pleasing, so unobtrusively winning about him that everyone loved him. He did his work gaily, usually sang or whistled as he went along, was never seen except when needed — in fact, an ideal servant. Furthermore, all animals were attached to him. We nearly always had some dog or other with us which joined us on account of Leo; he could tame birds and attract butterflies to him. It was his desire for Solomon’s key which would enable him to understand the language of the birds that had drawn him to the East. p. 22
I do not consider myself less ignorant than most people. I have been and still am a seeker, but I have ceased to question stars and books; I have begun to listen to the teachings my blood whispers to me. My story is not a pleasant one; it is neither sweet nor harmonious, as invented stories are; it has the taste of nonsense and chaos, of madness and dreams — like the lives of all men who stop deceiving themselves. Each man's life represents the road toward himself, and attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that — one in an awkward, the other in a more intelligent way, each as best he can.
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It was one of the triumphant periods of our journey; we had brought the magic wave with us ; it cleansed everything. The native paid homage on his knees to beauty, the lord of the castle produced a poem which dealt with our evening activities. The animals from the forest lurked close to the castle walls, and in the river the gleaming fishes moved in lively swarms and were fed with cakes and wine. p. 26
Doesn't your learning reveal to you that the reason why I please you and mean so much to you is because I am a kind of looking-glass for you, because there is something in me that answers you and understands you? Really, we ought all to be such looking-glasses to each other and answer and correspond to each other.