Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason an… - Hermann Hesse

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Instead of playing his part as truly and honestly as he could, the German intellectual has constantly rebelled against the word and against reason and courted wonderful creations of sound, and wonderful beauties of feeling and mood that were never pressed home to reality, has left the greater part of its practical gifts to decay. None of us intellectuals is at home in reality. We are strange to it and hostile. That is why the part played by intellect even in our own German reality, in our history and politics and public opinion, has be so lamentable a one.

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About Hermann Hesse

Hermann Karl Hesse (2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. In 1946, he received the Nobel Prize in Literature. His most famous works include Steppenwolf, Siddhartha, and The Glass Bead Game (also known as Magister Ludi) all of which explore an individual's search for spirituality.

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Native Name: Hermann Karl Hesse
Alternative Names: Hh. Hesse Herman Hesse
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Under the shifting hegemony of now this, now that science or art, the Game of games had developed into a kind of universal language through which the players could express values and set these in relation to one another. Throughout its history the Game was closely allied with music, and usually proceeded according to musical and mathematical rules. One theme, two themes, or three themes were stated, elaborated, varied, and underwent a development quite similar to that of the theme in a Bach fugue or a concerto movement. A Game, for example, might start from a given astronomical configuration, or from the actual theme of a Bach fugue, or from a sentence out of Leibniz or the Upanishads, and from this theme, depending on the intentions and talents of the player, it could either further explore and elaborate the initial motif or else enrich its expressiveness by allusions to kindred concepts. Beginners learned how to establish parallels, by means of the Game's symbols, between a piece of classical music and the formula for some law of nature. Experts and Masters of the Game freely wove the initial theme into unlimited combinations.

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You must not give way to desires which you don't believe in. I know what you desire. You should, however, either be capable of renouncing these desires or feel wholly justified in having them. Once you are able to make your request in such a way that you will be quite certain of its fulfillment, then the fulfillment will come. But at present you alternate between desire and renunciation and are afraid all the time. All that must be overcome.

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