Nobel Prize winning German-Swiss poet, novelist and painter (1877–1962)
Hermann Karl Hesse (2 July 1877 – 9 August 1962) was a German-Swiss poet, novelist, and painter. In 1946, he received the Nobel Prize in Literature. His most famous works include Steppenwolf, Siddhartha, and The Glass Bead Game (also known as Magister Ludi) all of which explore an individual's search for spirituality.
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Native Name:
Hermann Karl Hesse
Alternative Names:
Hh. Hesse
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Herman Hesse
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Tegularius was a willful, moody person who refused to fit into his society. Every so often he would display the liveliness of his intellect. When highly stimulated he could be entrancing; his mordant wit sparkled and he overwhelmed everyone with the audacity and richness of his sometimes somber inspirations. But basically he was incurable, for he did not want to be cured; he cared nothing for co-ordination and a place in the scheme of things. He loved nothing but his freedom, his perpetual student status, and preferred spending his whole life as the unpredictable and obstinate loner, the gifted fool and nihilist, to following the path of subordination to the hierarchy and thus attaining peace. He cared nothing for peace, had no regard for the hierarchy, hardly minded reproof and isolation. Certainly he was a most inconvenient and indigestible component in a community whose idea was harmony and orderliness. But because of this very troublesomeness and indigestibility he was, in the midst of such a limpid and prearranged little world, a constant source of vital unrest, a reproach, an admonition and warning, a spur to new, bold, forbidden, intrepid ideas, an unruly, stubborn sheep in the herd.
I remember a select little group with which we traveled and camped together for some days ; this group had undertaken to liberate some captive League brothers and the Princess Isabella from the hands of the Moors. It was said that they were in possession of Hugo’s horn, and among them were my friends the poet Lauscher and the artists Klingsor and Paul Klee ; they spoke of nothing else but Africa and the captured princess, and their Bible was the book of the deeds of Don Quixote, in whose honor they thought of making their way across Spain. It was very pleasant whenever we met one of these groups, to attend their feasts and devotions and to invite them to ours, to hear about their deeds and plans, to bless and know them on parting ; they went their way, we went ours. p. 20
That life is difficult, I have often bitterly realized. I now had further cause for serious reflection. Right up to the present I have never lost the feeling of contradiction that lies behind all knowledge. My life has been miserable and difficult, and yet to others, and sometimes to myself, it has seemed rich and wonderful. Man's life seems to me like a long, weary night that would be intolerable if there were not occasionally flashes of light, the sudden brightness of which is so comforting and wonderful, that the moments of their appearance cancel out and justify the years of darkness.
His walk was light and peaceful, his robe sparkled with gold. He came nearer amid the silence of the assembly... he climbed through the rows of officials to the High Throne like a Pope. Like a magnificent, rare flower, he carried the brilliance of his attire up the stairs. Each row of officials rose to greet him as he passed. He bore his radiant office conscientiously, humbly, dutifully, as humbly as a holy Pope or patriarch bears his insignia. p. 77
A man cannot live intensely except at the cost of the self. Now the bourgeois treasures nothing more highly than the self (rudimentary as his may be). And so at the cost of intensity he achieves his own preservation and security. His harvest is a quiet mind which he prefers to being possessed by God, as he does comfort to pleasure, convenience to liberty, and a pleasant temperature to that deathly inner consuming fire. The bourgeois is consequently by nature a creature of weak impulses, anxious, fearful of giving himself away and easy to rule.