Pakistani writer
Ibn Warraq is the pen name of an anonymous author critical of Islam.
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Ibn Warraq is the pen-name of the author whose parents emigrated from India to Pakistan as a result of the Partition. He was brought up in Pakistan, which was supposed to be an Islamic Republic. His experience revealed to him that the Muslims of India had been cheated in the name of Islam and its projected principles of equality, free will and democracy. As he grew up, he noticed that Islam had become an effective tool of convenient morality and achieving political goals; a religious or secular leader could prove anything from the Koran and Hadith to suit his purpose, yet every faithful believes that there is no contradiction in the verses of the Koran!
Why I am Not A Muslim is not a book of fantasy - or of veiled attack - like Salman Rushdie's Satanic Verses. It is a deeply felt intellectual tour de force by a great Muslim scholar whose heart bleeds for the fate of his fellow Muslims, and whose thirst for knowledge has led him on a path of incomparable research and study. Because of the well-known (and widely feared) Muslim proclivity to violence the book had to be brought out by an American humanist publisher rather than any of the major publishing houses. It is doubtful that there exists another work on the subject as scholarly, as detailed or as comprehensive, not to say as courageous. Looking at the scene in India, the writings of Hamid Dalwai and A.B. Shah have set many people thinking about the nature of Islam. If Ibn Warraq's book were to be made widely available in India, it may serve to open the eyes of the people further.
All the atrocities commited by the Pakistani army clearly shows that it was nothing but a religious war. When I read the Koran and compare the actions of the Pakistani army I find an absolute link between the killings and the provisions in the Koran. To the Pakistani military, the Bengalis were not true followers of Islam, but hypocrites. So they wanted to get rid of these nonbelievers (the Bengalis) as per the provision in the Koran and hadith. The whole world knows the truth. The truth is that the genocide in Bangladesh was conducted by the Islmic army of Pakistan to save Islam and to completely annihilate the unbelievers.
David Margoliouth warned us not to be too credulous about the authenticity of so-called pre-Islamic poetry. Two of his principal arguments were the probity, or rather the lack of probity, of the earliest compilers and editors of pre-Islamic poetry, and the fact that many putative pre-Islamic poems contained words, phrases, and religious concepts derived from the Koran, even though the authors had died long before the Koran can have been said to exist.
Then came the topic of creation of Bangladesh. Naturally, they sided with the Pakistani Islamic army, although they expressed sorrow for the lives lost. When they heard that 3 million people were massacred and that the action of the Pakistani Islamic army could not be dismissed simply as an act of restoration of peace and order, they simply laughed. The reason was that they did not believe what had happened to our people in the occupied Bangladesh. When we asked them how many Bengalis were killed, they quoted a figure of three thousand. They also insisted that those killed were mostly Hindus, so we should not bother too much about the massacre. That was to say that the killing of Hindus was all right. We pointed out that the figure of 3 million was not invented by the government of Bangladesh but the figure was from reliable foreign sources such as the Agence France Presse, Reuters, and Time magazine. We also told them that a Pakistani journalist by the name of Anthony Mascarenhas has written a book titled The Rape of Bangladesh,' where he had quoted a similar figure. The Pakistanis simply dismissed those facts and said that the foreign journalists were bribed by India to write these figures. When we asked them how did they get the figure of three thousand, they said that that figure was released by the military authorities. And what about the two hundred thousand rape cases? They were adamant that not a single woman was raped. Such is the power of Pakistani Islamic oligarchy and Pakistani Islamic military to condition peoples' minds...
This is my very personal recount of the nights and days on and immediately after March 25, 1971. I went to bed a bit early, around 9:00 Pmt. I had been quite tired all day and I quickly fell asleep. Suddenly, at around 11:00 P.M., my deep slumber was disturbed by the noise of constant barrage of gunfire. At first I thought that it must be firecrackers by Bengalis to celebrate their victory. But soon I realized my mistake. I opened the window. It was very dark. Not even the dim streetlights were burning. But I could barely see numerous military vehicles moving around, carrying soldiers with their automatic rifles. Occasionally, I could see very bright searchlights mounted on some of the military trucks and Jeeps. Many soldiers were running and shooting in the street. I saw that a large convoy of military vehicles had surrounded the whole of the EPUET area. As far as my eyes could go, I could see military men all around the campus.
While it is commendable and understandable to wish to protect, for example, the personnel of a publishing house, if the decision of a publisher to publish material considered blasphemous by Muslims leads to widespread violence, this violence cannot possibly be considered morally or legally the responsibility of the said publisher. The publisher, writer, comedian, cartoonist is exercising his or her constitutional right, and if threatened, the state should give, unbegrudgingly, every protection possible. Publishers must stand by their writers, newspapers with their cartoonists, Comedy Central with South Park artists, and intellectuals with their fellow intellectuals. But where was Hollywood when fellow filmmaker, Theo Van Gogh, was killed? The “Draw Mohammed Day” initiative by a Seattle cartoonist, far from being frivolous was a magnificent show of solidarity, exactly in the manner of public readings of The Satanic Verses, already mentioned. Unless we show greater solidarity, massive, public, noisy solidarity and show that we care for our freedoms, we risk losing all to Islamist thuggery.
The Orientalists and their indefatigable intellectual curiosity, scholarship, and translations had incalculable consequences for the development of art, philosophy, and politics in Europe, an influence passionately chronicled by Raymond Schwab in The Oriental Renaissance. Orientalists changed forever the intellectual and spiritual landscape of Europe, and allowed artists, writers, and composers to enter imaginatively and sympathetically into civilizations hitherto unfamiliar to Westerners, to accord the Orient dignity and respect, and to people European works with Orientals, seen as equals. It was in this intellectual and spiritual milieu that Mozart created some of his most sublime music. Perhaps Die Zauberflote, Il Seraglio, and cantata K.619 can be seen as reflections in art of Orientalist research.
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There are many reasons behind it. Bat Ye'or describes one of them in her new book "Eurabia": not long after the Second World War, the Europeans and especially France created a European-Arab axis, to lessen the influence of the USA. There were bilateral agreements. The EU launched Arab exchange programmes and financed Arab NGOs, creating strong European-Arab networks. If they were now to criticise anything about Islam that would upset their allies in the axis. Another reason is multiculturalism.