Two years ago, I began to speak to friends who were editors of poetry journals, to get an idea of what was involved. I made the financial decision to go online with a simple, quality website. I do the html coding myself, so it costs me two weekends a year, with no overheads other than the cost of bandwidth. The benefit of online is that I can use images as well, and allow them to interact with the poetry – which has fascinating results.

To go back to Venice. My son Michael and I backpacked for three weeks across Italy four years ago, staying in youth hostels. Italy was rewarding beyond description, but Venice was a moving and intense experience. It was fading and old and beautiful and I loved it. I would go back there given half a chance.

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What excites me? Now that I am beloved, I am a joyful and irrepressible woman, I do not laugh quietly and I’m always the last person on the dance floor at one in the morning at university functions. And I am not waiting to be old to wear purple. What inspires me? Humble people who just get on with helping to make a difference in this world. And who do it out of love, not self. So often people help others for reasons that have everything to do with themselves and nothing to do with those they are helping.

People have responded that the collection chronicles a journey through suffering into new life, and that it was thought-provoking. And that is what I wanted to express. That there is hope for new growth, for freedom, for change. For so many people who have suffered. And especially for our country. I really believe that.

I feel injustice deeply. I thought I would get over that as I grew up. I never have. That’s how “Nam” was written. Both of those incidents happened to me just as they are written, and I was unable to forget them. And when I saw the facile comments on the travel show, I had to put my anger down on paper. It just never ends. We don’t learn. As a mother I am now even more outraged by senseless slaughter ordered by men who are never themselves in danger. And whose motives are based on greed and power-seeking.

There were times during my marriage that I wanted it all to end. I wrote a poem in one of my most tortured moments about the peace I would find if I walked into the sea and breathed. It was years later that I realised how close my life story was to Ingrid Jonker’s. I had been born just after she died. Somehow, I survived, against all odds. I felt connected with her, and wrote about it. I like to think that she knows that I wrote about it.

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As a poet, I am as I am in every other sphere of life. I’m real and flesh and blood. I don’t write to impress people or use clever allusions or references. I did all that when I was still at university, and it was rubbish poetry. Now I write only because the poem needs to be written. And it has its own life and its own personality—with its whimsical little in-jokes and its musicality. And if someone else likes the poem, then it’s probably because, at the bottom of it all, we have a shared human experience.

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As I grew in my spiritual journey and I came to know what true and unconditional love was, I came to see that what I had was not what marriage should be. I chose life. I staggered/crawled away from the devastation and it took years for me slowly to become the person I was meant to be. And life has been deeply rich and rewarding in every possible way since then.

Some people find the goldfish bowl difficult to live in – I thrive in it. There is no peak hour traffic. The cathedral bells ring on Sunday and Thursday evenings in the mist. The sunsets are spectacular. You can find a donkey cart (with a set of donkeys) parked neatly in a bay between a BMW and a Golf, and there are often cattle in my street. Cattle have right of way.