Events stream past us like these crowds and the face of each is seen only for a minute. What is urgent is not urgent for ever but only ephemerally. All work and all love, the search for wealth and fame, the search for truth, like itself, are made up of moments which pass and become nothing. Yet through this shaft of nothings we drive onward with that miraculous vitality that creates our precarious habitations in the past and the future.
So we live; a spirit that broods and hovers over the continual death of time, the lost meaning, the unrecaptured moment, the unremembered face, until the final chop that ends all our moments and plunges that spirit back into the void from which it came.
Irish-born British writer and philosopher (1919–1999)
Dame Jean Iris Murdoch (15 July 1919 – 8 February 1999) was an Anglo-Irish novelist and philosopher, famed for her series of novels that combine rich characterization and compelling plotlines usually involving ethical or sexual themes. Her life-story was filmed in 2001 as Iris.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
Jean Iris Murdoch
Alternative Names:
Dame Iris Murdoch
From Wikidata (CC0)
When does one ever know a human being? Perhaps only after one has realized the impossibility of knowledge and renounced the desire for it and finally ceased to feel even the need of it. But then what one achieves is no longer knowledge, it is simply a kind of co-existence; and this too is one of the guises of love.
It is in the capacity to love, that is to SEE, that the liberation of the soul from fantasy consists. The freedom which is a proper human goal is the freedom from fantasy, that is the realism of compassion. What I have called fantasy, the proliferation of blinding self-centered aims and images, is itself a powerful system of energy, and most of what is often called 'will' or 'willing' belongs to this system. What counteracts the system is attention to reality inspired by, consisting of, love.
Every human soul has seen, perhaps before their birth pure forms such as justice, temperance, beauty and all the great moral qualities which we hold in honour. We are moved towards what is good by the faint memory of these forms simple and calm and blessed which we saw once in a pure, clear light being pure ourselves.
All the time when I speak to you, even now, I'm saying not precisely what I think, but what will impress you and make you respond. That's so even between us - and how much more it's so where there are stronger motives for deception. In fact, one's so used to this one hardly sees it. The whole language is a machine for making falsehoods.
There was something factitious and brittle and thereby utterly feminine about her charm which made me want to crush her, even to crunch her. She had a slight cast in one eye which gives her gaze a strange concentrated intensity. Her eyes sparkle, almost as if they were actually emitting sparks. She is electric. And she could run faster in very high-heeled shoes than any girl I ever met.
Toby had received, though not yet digested, one of the earliest lessons of adult life: that one is never secure. At any moment one can be removed from a state of guileless serenity and plunged into its opposite, without any intermediate condition, so high about us do the waters rise of our own and other people's imperfection.