"A deathbed promise is the most sacred one there is," she hawked at him from the lungs that were almost, but not quite, filled up yet, "and I want you to make me this promise on my deathbed: Promise me you wont never hurt nobody unless its absolute a must, unless you jist have to do it." "I promise you," he vowed to her, still waiting for the angels to appear. "Are you afraid?" he said. "Give me your hand on it, boy. It is a deathbed promise, and you'll never break it." "Yes maam," he said, giving her his hand, drawing it back quickly, afraid to touch the death he saw in her, unable to find anything beautiful or edifying or spiritually uplifting in this return to God. He watched a while longer for signs of immortality. No angels came, however, there was no earthquake, no cataclysm, and it was not until he had thought it over often this first death that he had had a part in that he discovered the single uplifting thing about it, that being the fact that in this last great period of fear her thought had been upon his future, rather than her own. He wondered often after that about his own death, how it would come, how it would feel, what it would be like to know that this breath, now, was the last one. It was hard to accept that he, who was the hub of this known universe, would cease to exist, but it was an inevitability and he did not shun it. He only hoped that he would meet it with the same magnificent indifference with which she who had been his mother met it. Because it was there, he felt, that the immortality he had not seen was hidden.

The perfect ideal would be that a man who is essentially nonviolent would be able to defend himself against any form of violence. But this is very rare in life. But this raises one of the most important themes in Eternity, why Prewitt does not shoot back at the MPs who kill him as he tries to get back to his unit after his murder of Fatso Judson. You see, when Prewitt kills Fatso he is carrying the theory of vengeance by violence to its final logical end. But the thing is that Fatso doesn't even know why he is being killed; and when Prewitt sees that, he realizes what a fruitless thing he has done.

Especially in the beginning of the war, the guys who became good soldiers, and good infantry men sort of had to accept that they were dead — that they weren't going to get out of it. The statistics were so much their enemy that there wouldn't be much chance that in four or five years, that they would survive it. Some did... and in fact most of the men who got in combat did survive it.

I'm going to ask you something. If I do get killed, and I honestly don't see how I can help it, I want you to write that book we were thinking about when I enlisted. If I get it, it's a cinch I won't be able to do it, and it would make me feel a whole lot better to know that if not my name and hand, at least, the thot of me would be passed on and not forgotten entirely. You know, sort of put into the book the promise that I had and the things I might have written so at least the knowledge of talent wasted won't be lost. . . If I get it, no one will ever know to what heights I might have gone as a writer. Maybe if you wrote about the promise that was there, all wouldn't be lost.

Also by the way, I have found a title for this book. From Here to Eternity. Taken from the "Whiffenpoof" song, of Yale drinking fame. It goes: "We are little black sheep who have gone astray, baa . . . baa . . . baa. Gentlemen songsters out on a spree, damned from here to eternity. God have mercy on such as we. Baa, etc." Maybe it's maudlin, but so am I. I get chills every time I sing it, even when sober.

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He looked at his watch and as the second hand touched the top stepped up and raised the bugle to the megaphone, and the nervousness dropped from him like a discarded blouse, and he was suddenly alone, gone away from the rest of them. The first note was clear and absolutely certain. There was no question or stumbling in this bugle. It swept across the quadrangle positively, held just a fraction longer than most buglers hold it. Held long like the length of time, stretching away from weary day to weary day. Held long like thirty years. The second note was short, almost too abrupt. Cut short and soon gone, like the minutes with a whore. Short like a ten minute break is short. And then the last note of the first phrase rose triumphantly from the slightly broken rhythm, triumphantly high on an untouchable level of pride above the humiliations, the degradations. He played it all that way, with a paused then hurried rhythm that no metronome could follow. There was no placid regimented tempo to Taps. The notes rose high in the air and hung above the quadrangle. They vibrated there, caressingly, filled with an infinite sadness, an endless patience, a pointless pride, the requiem and epitaph of the common soldier, who smelled like a common soldier, as a woman had once told him. They hovered like halos over the heads of sleeping men in the darkened barracks, turning all the grossness to the beauty that is the beauty of sympathy and understanding. Here we are, they said, you made us, now see us, dont close your eyes and shudder at it; this beauty, and this sorrow, of things as they are.

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I am at the moment trying to write a novel, a combat novel, which, in addition to being a work which tells the truth about warfare as I saw it, would free all these young men from the horseshit which has been engrained in them by my generation. I don't think that combat has ever been written about truthfully; it has always been described in terms of bravery and cowardice. I won't even accept these words as terms of human reference any more. And anyway, hell, they don't even apply to what, in actual fact, modern warfare has become. <small> QOTD 2007·11·06 Sound file </small>

Unofficially, nobody really minded the clap. It was a joke to those who had never had it and to those who had been over it for a while. No worse than a bad cold, they said. Apparently the only time it was not a joke was when you had it. And instead of hurting your unofficial reputation it boosted you a notch, it was like getting a wound stripe. They said that in Nicaragua they used to give out Purple Hearts. But officially it hurt your Service Record, and it automatically lost you your rating. On your papers it put a stigma on you. When he put in to get back in the Bugle Corps, he found that while he was away they had suddenly gone over-strength. He went back on straight duty for the rest of his enlistment.

We got the word that the four of them were coming a month before they arrived. Scattered all across the country in the different hospitals as we were, it was amazing how fast word of any change got back to us. When it did, we passed it back and forth among ourselves by letter or post card. We had our own private network of communications flung all across the map of the nation. There were only four of them this time. But what an important four. Winch. Strange. Prell. And Landers. About the four most important men the company had held.

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Somewhere along the line, he thought, these things have become your heritage. You are multiplied by each sound that you hear. And you cannot deny them, without denying with them the purpose of your own existence. Yet now, he told himself, you are denying them, by renouncing the place that they have given you.

I wasn't hit very badly — a piece of shrapnel went thru my helmet and cut a nice little hole in the back of my head. It didn't fracture the skull and is healed up nicely now. I don't know what happened to my helmet; the shell landed close to me and when I came to, the helmet was gone. The concussion together with the fragment that hit me must have broken the chinstrap and torn it off my head. It also blew my glasses off my face. I never saw them again, either, but I imagine they are smashed to hell. If I hadn't been lying in a hole I'd dug with my hands and helmet, that shell would probably have finished me off. The hole was only six or eight inches deep, but that makes an awful lot of difference, and it looked like a canyon.

My grandfather had a saying he used to say to me when I was a kid ... "always remember that I'm always for you, but I'd rather be for you when you're right than when you're wrong." Well, that's the way I feel about America. There's no use trying to say we haven't done a lot of things that were bad. We have.